A Quote by Willie McCovey

Even during my career, when I read all those great things about me, it's almost like I was reading about someone else. It's almost like there was another person. — © Willie McCovey
Even during my career, when I read all those great things about me, it's almost like I was reading about someone else. It's almost like there was another person.
In this world I probably know best. The person I like doesn't look at me but looks at someone else, smiles for someone else. I really know how you're feeling. And I can't truthfully be jealous either. I think if two people naturally like each other, it's almost like a miracle. Someday, will that miracle come true for me too?
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
Reading is a gift. It's something you can do almost anytime and anywhere. It can be a tremendous way to learn, relax, and even escape. So, enough about the virtues of reading. Time to read on.
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
It's been very jarring for me to stand in public and read about myself and my daughter and her father. I feel like I'm reading someone else's story, and I feel like I've lost something, too, in the writing of self, as if I'm standing and reading myself, as a stranger, to other strangers.
It's really hard to teach me anything. I can't read music. I never learned how to read music. I read books about things and try to learn - I don't like to learn from anybody. Later on I would, once I'd get the hang of things. Like I ride horses, I'm good at that, Western riding. I learned all about it reading and studying. I'm always learning about horses, I like that.
Reading is everything. Reading makes me feel like I've accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real. Reading is grist. Reading is bliss.
There’s a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It’s like a dream. It shouldn’t always be practical and about real life. Sometimes you have to do a piece that has a bit more of a wow - almost like, "I don’t know who’s going to wear that. It’s almost too much." That’s a lot of what fashion is about. Even in an economy that isn’t strong and where it’s important to sell clothes, you have to make things that let people dream a little, you know?
I remember all the stages in my career where I almost didn't have enough confidence to try for something, almost didn't have the guts to follow something I was excited about doing, because I didn't know anyone else who'd done it, or other people made me question it.
When I began going to school and learned to read, I encountered stories of other people and other lands. In one of my essays, I remember the kind of things that fascinated me. Weird things, even, about a wizard who lived in Africa and went to China to find a lamp... Fascinating to me because they were about things remote, and almost ethereal.
I read things like theology, and I read about science, Scientific American and publications like that, because they stimulate again and again my sense of the almost arbitrary given-ness of experience, the fact that nothing can be taken for granted.
I read things like theology, and I read about science, 'Scientific American' and publications like that, because they stimulate again and again my sense of the almost arbitrary given-ness of experience, the fact that nothing can be taken for granted.
Reading was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. Before long I bought a small stereo and spent all my time in my room, listening to jazz records. But I had almost no desire to talk to anyone about the experience I gained through books and music. I felt happy just being me and no one else. In that sense I could be called a stack-up loner.
I struggle to try not to read the press about my album. It was great when the first stuff came out to hear that people liked it, but at the same time at this point it's almost hard for me to read because as much as I'm uncomfortable with my voice, trust me, I'm more uncomfortable with the things I say. [laughs] To see it on a written page, it's like, "Oh my god. I told that guy I'm a hopeless romantic! What am I doing?"
Farber had a huge effect on me as a writer. I don't mean I write like him. Farber is, first of all, a great stylist, a great writer. Anyone can read Manny Farber's film criticism, whether that person is a novelist, a poet, another critic, a historian, and learn a lot about writing by reading him.
Sometimes I sit in my den at home and read stories about myself. Kids used to save whole scrapbooks on me. They get tired of them and mail them to me. I'll go in there and read them, and you know what? They might as well be about (Stan) Musial and (Joe) DiMaggio, it's like reading about somebody else.
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