A Quote by Willie Nelson

If you go to a magic show, you don't want to see logic. — © Willie Nelson
If you go to a magic show, you don't want to see logic.
I do think image is important in a band, because when I go see a show, I want to see a show; I don't want to just listen to the music.
When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."
The want of logic annoys. Too much logic bores. Life eludes logic, and everything that logic alone constructs remains artificial and forced.
When I'm an audience member I do not want to go and see something that I already know, I want to see something that I don't know. I want to be surprised and stimulated to think about something. I want the magic. I want to be in a situation of uncertainty; that's what excites me.
I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.
People do not come to a Penn & Teller show to see a magic show. They just don't. They come to see weird stuff that they can see no place else, that will make them laugh and make the little hairs stand up on the backs of their necks.
Logic was puny in the face of my wrath. Logic was puny and magic was mighty: I had just gotten rebirthed, refilled and renewed, and was fast on my way to resentful.
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
I don't actually believe in the genre of comedy. Sometimes when I watch comedies, I can't see the soul of the show. I want to be able to laugh and cry. That is where the magic is. I'm trying to get to that place.
If you want magic, let go of your armor. Magic is so much stronger than steel.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
To understand the magic way of thinking you have to know non-magic thinking. If you see that clearly, you will see how many magic thoughts are necessary elements even of natural science today.
I don't want to see an experiment. Experiment at home - when you show up on stage, I want to see a result. I think a lot of improvisers, you'll see them some nights and they just stink, and they go, "Well, we're just improvising." Like that's a license to have a shitty night!
One way can be learned by starting to see the magic in everything. Sometimes it seems to be hiding but it is always there. The more we can see the magic in one thing, a tiny flower, a mango, someone we love, then the more we are able to see the magic in everything and in everyone. Where does the mango stop and the sky begin?
It's difficult sometimes to go and see a show and enjoy it and not go and see a show and critique it.
You can go to see a singer and love the show, but you don't need to know all the songs. What you want to do when you leave is go and find out more about the music.
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