A Quote by Willie Nelson

Where I grew up, Bob Wills and his western swing was very popular. And western swing is not that far from jazz and blues. — © Willie Nelson
Where I grew up, Bob Wills and his western swing was very popular. And western swing is not that far from jazz and blues.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
'Swing' is an adjective or a verb, not a noun. All jazz musicians should swing. There is no such thing as a 'swing band' in music.
Jazz comes from a tradition where it swings. Swing was the main ingredient of jazz. And once it loses the swing...well, that's it.
If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.
Lee Ann Womack is from near where I grew up in East Texas, so I've always looked up to her. I sang a lot of Dolly Parton as a kid and a lot of traditional western swing, like Patsy Cline and Roy Rogers.
For me, jazz, R&B, jump swing, Chicago blues, country blues, early hillbilly music, and honky tonk all stem from the same source
I had a baseball swing my whole life. When I was growing up, everyone had a different, very specific softball swing that was very short. And I had a big stride and I had, you know, a baseball swing, and people did not like it.
I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing.
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
When it comes to hitting solid drives, the secret is to swing within yourself. I know that sounds like a cliche, but it's true. If you swing at 100 miles per hour and hit it on the toe, you won't hit the ball as far as you would with an 80-mph swing that catches the ball in the center of the clubface.
I'm not afraid to swing the bat. If they elect to pitch to me, I'm going to swing. I'm not as picky as Mr. Sheffield. I'll swing at something over my head.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
Nobody knows where jazz is going, because nobody has ever known where jazz was going. I mean, you couldn't possibly predict the Swing Era from the '20's or bebop from the Swing Era or Avant-garde from Bebop, or Effusion, or on and on and on. So, we don't really know where it's going.
I started at such a young age learning every style of music, the country and the bluegrass and the western swing and the rock - everything.
The toughest thing in hitting shouldn't be deciding when to swing. It is, for me, deciding when not to swing. You should be swinging from the time you get into the batter's box until something says don't swing.
I loved Western Swing and Hank Williams' music, and I now know that it's a 6th tuning that gives you all of those classic licks.
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