A Quote by Willie Nelson

Waylon Jennings and I had a lot of fun recording together. — © Willie Nelson
Waylon Jennings and I had a lot of fun recording together.
I did recording sessions as a musician as well as a background vocalist and enjoyed every minute of it. I remember singing harmony with Waylon Jennings on a few songs that were hits. Chet Atkins always put me up so high that I strained to hit every note. It was a lot of fun.
Elvis was a way bigger influence than Waylon Jennings, but you don't wanna tell people, 'I never really listened to Waylon.'
I realized that I could try to sound like Waylon Jennings, or I could try to be like Waylon Jennings... but it's impossible to do both.
I had admired Waylon [ Jennings], but I never expected to meet him and get to know him. When I finally moved to Nashville years later, one night I went to a Harlan Howard Guitar Pull thing, and there was Waylon. He started talking about how much he loved my work and how great I was, and I couldn't even get a word in.
Collaboration is a vital part of my creative life. I've had success with Guy Clark and Waylon Jennings and Johnny Cash.
Working with Waylon Jennings and Willie Nelson takes you up another level.
I'll never get tired of being told I sound like Waylon Jennings, but I don't hear it myself.
Once Johnny Cash and Waylon Jennings are not cool on country radio, it's time for a new format.
My dad was a huge country music fan, but he also had a band and he sang. So he'd listen to a lot of music and the songs that he'd learn for the band were more from the male artists. So my earliest country memories were Waylon Jennings, Conway Twitty, George Jones, Johnny Paycheck even.
I miss him already. He was a unique person and a dear friend. If a record came on the radio, you'd know it was Waylon Jennings.
I had always loved music. I grew up listening to classic country, Waylon Jennings, Merle Haggard. My dad loved Vern Gosdin and Keith Whitley. So I kept going to class and started getting totally into playing guitar and teaching myself these songs.
I love polished pop music, but stuff like Neil Young's Crazy Horse vibe or Waylon Jennings, that stuff is raw and real.
When I played with Johnny Cash and Waylon Jennings in Vegas, the guys used to go, 'Dick, cut it out, man! You're moving around too much on this stage. You're making us look bad!'
When you listen to radio and hear the same 20 or 25 songs, you start hunting down your CD's. Waylon Jennings' records were always around to listen to.
Each kind of generation of bands forgets how they got here. Waylon Jennings came out and they're like, 'That's not Patsy Cline.' And everyone panicked, like, 'I don't know what happened to country music, but this isn't it.'
I grew up with the Highwaymen, which was Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson. Mom and Dad rode rodeo, so country music was always in the house and the car. They threw in some Dolly Parton, too.
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