A Quote by Willie Nelson
I used to work in the cotton fields a lot when I was young. There were a lot of African Americans working out there. A lot of Mexicans - the blacks and the whites and the Mexicans, all out there singing, and it was like an opera in the cotton fields, and I can still hear it in the music that I write and play today.
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African Americans were responsible for creating a lot of this beautiful and elaborate ironwork; we weren't just working in the cotton fields.
I was influenced a lot by those around me - there was a lot of singing that went on in the cotton fields.
I like myself better when I'm writing regularly. ... I was influenced a lot by those around me-there was a lot of singing that went on in the cotton fields. ... I'm a country songwriter and we write cry-in-your-beer songs. That's what we do. Something that you can slow dance to...I never gave up on country music because I knew what I was doing was not that bad. ... Most of the stuff I've read about me has been true.
I started learning my lessons in Abbot Texas, where I was born in 1933. My sister Bobbie and I were raised by our grandparents [...] We never had enough money, and Bobbie and I started working at an early age to help the family get by. That hard work included picking cotton. [...] Picking cotton is hard and painful work, and the most lasting lesson I learned in the fields was that I didn't want to spend my life picking cotton.
I wish they'd had electric guitars in cotton fields back in the good old days. A whole lot of things would've been straightened out.
There was a certain feeling I developed as a young person for black people. Somehow they were able to get pleasure out of things that I couldn't see them enjoying. I heard them sing a lot, and I didn't hear white folks going down the cotton rows singing that much.
My mother told me to keep on singing, and that kept me working through the cotton fields. She said God has his hand on you. You'll be singing for the world someday.
That was my way, and I also use the music after five years, I started hearing opera, opera, it was very good instrument to keep the spirit very strong because you feel like you are yourself singing opera, and I used to hear a lot of opera, they send me tapes.
Within the model minority rhetoric, Asian Americans are represented as “good” minorities and African Americans are represented as “bad” minorities. Here, the achievements of Asian Americans are used to discipline African Americans. As model minorities, Asian Americans achieved the status of “honorary Whites”. Again it is important to point out that the honorary whiteness of Asian Americans was granted at the expense of Blacks. It is also significant that as “honorary Whites,” Asian Americans do not have the actual privileges associated with “real” whiteness.
I work a lot with men, and I work with wonderful men that I absolutely adore, but it's something that I'm now paying attention to - to seek out and make room for the talented women in all the technical fields and creative fields across the board.
The agricultural fields throughout the Southwest, those jobs needed to be filled, and who were the ones to do it? It was the Mexicans.
But carbon 13 [the carbon from corn] doesn't lie, and researchers who have compared the isotopes in the flesh or hair of Americans to those in the same tissues of Mexicans report that it is now we in the North who are the true people of corn.... Compared to us, Mexicans today consume a far more varied carbon diet: the animals they eat still eat grass (until recently, Mexicans regarded feeding corn to livestock as a sacrilege); much of their protein comes from legumes; and they still sweeten their beverages with cane sugar. So that's us: processed corn, walking.
It may be changing, but still it's the one place, that total control of an institution, that African Americans have. So sometimes, you know, you'll hear the statement of African Americans saying, "I have to work with whites.
Painting is a lot harder than pickin' cotton. Cotton's right there for you to pull off the stalk, but to paint, you got to sweat your mind.
Gone are the days when my heart was young and gay,
Gone are my friends from the cotton fields away,
Gone from the earth to a better land I know,
I hear their gentle voices calling Old Black Joe.
Paper money is made of cotton, and I'm long cotton, by the way. One reason I'm long cotton is because Dr. Bernanke is out there running the printing presses as fast as he can.
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