A Quote by Willie Stargell

I was bred as an outcast, part Negro and part Seminole, in my early years raised as an Indian. — © Willie Stargell
I was bred as an outcast, part Negro and part Seminole, in my early years raised as an Indian.
If I can do one hundredth part for the Indian that Mrs. Stowe did for the Negro, I will be thankful.
By the time I was 5, I was already an outcast. It was the early 1960s, and I was part of the only Jewish family in a decidedly Christian suburb of Waltham, Mass.
In my early teens, science fiction and fantasy had an almost-total hold over my imagination. Their outcast status was part of their appeal.
I was lucky in my early years to play for a Karnataka team that was trying to forge itself into a strong side, and they were years of fun and learning. In the Indian team, I was fortunate to be part of a wonderful era when India played some of its finest cricket at home and abroad.
In writing 'The Satanic Verses,' I think I was writing for the first time from the whole of myself. The English part, the Indian part. The part of me that loves London, and the part that longs for Bombay. And at my typewriter, alone, I could indulge this.
I was raised on an Indian reservation, and I didn't see a television set till I was 10, so it's not a part of my life.
I feel myself the inheritor of a great background of people. Just who, precisely, they were, I have never known. I might be part Negro, might be part Jew, part Muslim, part Irish. So I can't afford to be supercilious about any group of people because I may be that people.
If I could write a story that would do for the Indian one-hundredth part what 'Uncle Tom's Cabin' did for the Negro, I would be thankful the rest of my life.
I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives, it's part of our culture we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music.
I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives; it's part of our culture; we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music.
Forgiveness is a big part of - especially post-civil rights movement - is a big part of African-American Christianity, and I wasn't raised within the Christian church; I wasn't raised within any church.
I had an Indian face, but I never saw it as Indian, in part because in America the Indian was dead. The Indian had been killed in cowboy movies, or was playing bingo in Oklahoma. Also, in my middle-class Mexican family indio was a bad word, one my parents shy away from to this day. That's one of the reasons, of course, why I always insist, in my bratty way, on saying, Soy indio! - "I am an Indian!"
Now-a-days we are part of a really stressful society. But if you look at North Indian households, especially Punjab, making light of every situation is a part of everything here.
The idea of you is a part of my mind; you influence my likes and dislikes, all my tastes, hundreds of times when I don't realize it. You really are a part of me. In the course of twenty crowded years one parts with many illusions... I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen again.
I am the only lead actor on Indian TV who has been part of a popular show for eight years. It's a record.
I think that the best part of being an Indian actress is that you can be a part of so many different films in different languages.
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