A Quote by Willis Earl Beal
I'd rather be somewhere building a house, if I knew how. The whole idea of being a professional artist is like a demeaning kind of thing.
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The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
It was just such a demeaning thing to do, being in silent movies. They'd call you up and tell you, 'Hey, jump off this building!' and they'd give you a hundred bucks, and you'd do it.
I work with wood a lot. I like building. I think of building. I would love to buy land on some water somewhere and build a house. That'd be nice.
I am shocked at how much time I spend in the White House. I mean, you know, for people on the outside, the idea of going to the White House for a meeting must seem like the most important, serious, even glamorous kind of thing to do.
One thing that really appeals to me is this idea of music being a living thing that has an evolution that, in a way, enables the artist to sell a process rather than a piece of product.
The fun of being a supervisor is that you kind of get to shape the film as a whole rather than crafting a complete scene. I can't really think of one in particular that I feel like I own, except for a couple shots that I animated, which is fun. But feeling like you contributed to the whole is the most satisfying thing.
Obviously, with me being a DJ, I have a love for music. One day I was like, 'OK. I'm tired of playing everybody else's music. I rather play my music.' So, that's kind of how the whole me doing music thing started.
I like the idea of becoming [fairly] good at lots of things rather than very good at just one thing. So it would be nice to be okay at the guitar or at the piano, a reasonable cook, perhaps able to fix your car or do some basic carpentry, and be able to write the odd article. Rather than being super good at one tiny thing, to be kind of average at lots of things. It might mean that you have a more kind of enjoyable, complete life.
How can you feel like an actual member of society casting a vote for a president when in a professional interview you said that farts make you laugh? And you're a professional in comedy? But then, have you ever seen a video of a small dog that farts? Welp. I don't need to explain that anymore. If you can't see the humor in that, good luck being a CEO somewhere where I'm not going to understand you. It's a harmless thing to laugh at. It's humor that's not at the expense of someone else. And it's silly. It's juvenile.
An artist should be taking risks. That's the whole idea of being an artist.
When I started out, the idea of wearing interesting clothes seemed to contradict the idea of being a serious artist. The first Moloko record, 'Do You Like My Tight Sweater?' was kind of a reaction to all that.
I don't like hospitals, and the idea of being in labor somewhere I don't like at all - wasn't how I wanted to bring my kids into the world.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
When I taught art, I was always asked, 'How do you know you're an artist? What makes you an artist?' And to me, it's like breathing. You don't question if you breathe; you have to breathe. So if you wake up in the morning, and you have to realize an idea, and there's another idea, and another, maybe you are really an artist.
I don't like it when they [media critics] see me as this little person who doesn't know what to do with herself -- like I have no idea what I want, like I'm just a puppet ... That's demeaning to me, because that ain't how it is, and it never was.
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