A Quote by Willis Polk

No age is compelled to take its beauty from preceding epochs. — © Willis Polk
No age is compelled to take its beauty from preceding epochs.
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
The best armor of old age is a well-spent life preceding it.
The word beauty is unavoidable … it accounts for my decision to photograph … There appeared a quality, beauty seemed the only appropriate word for it, in certain photographs, and I am compelled to live with the vocabulary of this new sight … through over many years [I] still find it embarrassing to use the word beauty, I fear I will be attacked for it, but I still believe in it.
I may grow rich by an art I am compelled to follow; I may recover health by medicines I am compelled to take against my own judgment; but I cannot be saved by a worship I disbelieve and abhor.
Various epochs of the past have had their own characteristic struggles and interests. Each of these great epochs has left behind itself a kind of cultural deposit, like a geologic stratum. These deposits have found their way into educational institutions in the form of studies, distinct courses of study, distinct types of schools.
Brazilian women are taught to take care of themselves. They start their beauty routine at a young age, which is the key to aging beautifully.
Beauty compelled admiration and erotic yearning; such was its organic function. But never by itself could it command love.
Through loyalty to the past, our mind refuses to realize that tomorrow's joy is possible only if today's makes way for it; that each wave owes the beauty of its line only to the withdrawal of the preceding one.
The best Armour of Old Age is a well spent life preceding it; a Life employed in the Pursuit of useful Knowledge, in honourable Actions and the Practice of Virtue; in which he who labours to improve himself from his Youth, will in Age reap the happiest Fruits of them; not only because these never leave a Man, not even in the extremest Old Age; but because a Conscience bearing Witness that our Life was well-spent, together with the Remembrance of past good Actions, yields an unspeakable Comfort to the Soul
No-one is forced to stand for Parliament; no-one is compelled to become a minister. If you take on those roles, which are great privileges, you also take on big responsibilities.
The research worker, in his efforts to express the fundamental laws of Nature in mathematical form, should strive mainly for mathematical beauty. He should take simplicity into consideration in a subordinate way to beauty ... It often happens that the requirements of simplicity and beauty are the same, but where they clash, the latter must take precedence.
I don't think the possibility for beauty can be foreclosed, because beauty can take so many forms. There is beauty that arises from the unexpected, when our familiar perspectives are thrown off balance. There is also the beauty that paradoxically comes out of the tragic, that emerges because we are reminded of what is no longer there, that becomes powerful because of what is absent.
There is a slow-growing beauty which only comes to perfection in old age.... I have seen sweeter smiles on a lip of seventy than I ever saw on a lip of seventeen. There is the beauty of youth, and there is also the beauty of holiness—a beauty much more seldom met; and more frequently found in the arm-chair by the fire, with grandchildren around its knee, than in the ball-room or the promenade.
Tis hard with respect to Beauty, that its possessor should not have a life enjoyment of it, but be compelled to resign it after, at the most, some forty years lease
I want to age the way that life makes you age, because there's beauty in autumn and winter and I think people forget that.
It is a hopeless endeavor to make the form and content of earlier architectural epochs usable for our time; in this, even the strongest artistic talent must fail. We see repeatedly how the outstanding builders fail to achieve an effect because their work does not serve the will of the age.
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