A Quote by Wilson Cruz
I was 19, 20. I didn't know what to do. I knew one thing: I never saw myself on TV or anyone like me, and I wanted to be that for someone else. I think the most courageous thing I did was ask for help.
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I myself lived in London for 20 years, and I never knew my next-door neighbors. I never knew what they did. I never knew their names. They didn't know what I did for a living, and they didn't know my name.
I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
Someone real," I hear myself saying. "Someone who never has to pretend, and who I never have to pretend around. Someone who's smart, but knows how to laugh at himself. Someone who would listen to a symphony and start to cry, because he understands music can be too big for words. Someone who knows me better than I know myself. Someone I want to talk to first thing in the morning and last thing at night. Someone I feel like I've known my whole life, even if I haven't.
I don't want to see anyone else looking like me.That'd be my nightmare. Though if I saw someone wearing what I did, I would know he was swaggy.
Actors use who they are to be someone else, but I would hate to ever think I'm playing myself. It's imagining being someone else that is the key motivating thing for me. So when people want to know about me, it makes me a bit unnerved.
I used to think that if someone asked for help, they were weak. But the toughest thing I ever did was reach out and ask for help. And that was when I started to heal.
I saw you, and I wanted to be close to you. I wanted you to let me in. I wanted to know you in a way no one else did. I wanted you, all of you. That wanting nearly drove me mad.” Patch paused, inhaling softly, as though breathing me in. “And now that I have you, the only thing that terrifies me is having to go back to that place. Having to want you all over again, with no hope of my desire ever being fulfilled. You’re mine, Angel. Every last piece of you. I won’t let anything change that.
The most important thing I think we need to remember is that we're a work in progress. Do not be ashamed or afraid to ask for help. That's what I did. I asked for help.
Don’t do what you know on a gut level to be the wrong thing to doI don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
this is what I know about courage: You don't have to think about courage to have it. You don't have to feel courageous to be courageous. You don't sit down and say you're going to be courageous. At the moment of action, you don't see it as a courageous act. Courage is the most hidden thing from your eye or mind until after it's done. There's some inner something that tells you what's right. You know you have to do it to survive as a human being. You have no choice.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
I knew that people were going to talk about it, I knew it was embarrassing, and I knew it was a big deal. But did I think that it was going to be this thing that followed me for, you know, the next years to come? I guarantee you, 25 years from now, I'll be known as the girl that lip synced on 'SNL.' But, you know, it was a weird thing. Not fun.
I think, you know, it was something that I really wanted. I wanted so much to have a son or daughter. We adopted a son. And it was just the most wonderful thing. I think the only thing that was difficult for both Maury and myself were the sleepless nights.
I was nominated for a Daytime Emmy Award 19 times before I won. The first nine years, I heard someone else's name called; after that - I think it was a protective thing - I didn't hear whose name was called, but nobody was making eye contact with me, so I knew that it wasn't mine.
But in my defense, I knew enough about her to know I wanted to know everything else; I knew as much about her as she wanted me to know; I knew as much about her as anyone ever knows about anyone. And isn't love just curiosity at the beginning anyway?
Midway, when I was working full-fledged on TV, I realised I was loving it. I didn't have a manger, or anyone promoting me. I never went to ask for work, it came to me. I never asked for it, and it's not an ego thing. I thought if any director find me fit, he or she will offer it to me.
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