A Quote by Wilson Cruz
My advice would be to look at the things you do to make money as ways to inform your work in the end. If our work is to study the human condition, most humans that we are going to be playing aren't going to be artists, so go out and, as I did, learn what it's like to have a 9-to-5 job... Think of it as character study.
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In Italy, the coaches are very attentive to the details. They really study things, and that is a big difference here. They look at your movement, your positioning. They study you and work out how to stop you.
Much as there are things about our own life stories that we can learn only from the systematic study of our dreams, there are things about the human condition that we can learn only from a systematic study of literature.
I love going out for any audition. I'm very professional, I study my stuff, I work on it, and even if I'm not right for the job, so what? I know I did my best.
When I wrestled, I would set aside the time to wrestle, so that in my mind it didn't interfere with my study time. If I'd say, "I'm going to study this many hours, then I'm going to go work out and wrestle," then when that time comes, you don't feel like you should be doing something else. That helped me psychologically. But otherwise? When I'm wrestling, I'm not studying the universe. And when I'm studying the universe, I'm not wrestling.
Anybody who wants to go into any business, I always say that you have to make a commitment to yourself to make it a part of your nature like the air you breathe. I don't mean that lightly. It's hard. You have to do the work, and a lot of it is going to be during your own personal downtime. And you have to be interested in it. You can never study enough, and you can never learn enough.
I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.
So here's my advice: Study broadly and without fear. Learn a language if you can, because that will make your life more interesting. Read a little bit every day. But more importantly, surround yourself with people who you like and make cool stuff with them. In the end, what you do isn't going to be nearly as interesting or important as who you do it with.
Work-do plays, learn your craft, and go to school. Keep working. Nobody is going to give you jobs for going to parties or any of that nonsense. Go out, look around, do things.
You study all your life, you work really hard to do your best work onstage and onscreen, and then you make your best money playing an ant.
When other students would study after classes, I would go out again to work out and then study in the night.
People are most shocked and most in disbelief that I go to the office every day. I have a job. When I'm not acting on a movie, I go to work, first thing in the morning. I'm at work at 8 o'clock in the morning, and I get home from work at 7 o'clock at night. I treat my job like a job, and I work at it. I think people would probably be most surprised, if I ever calculated up the number of hours I work on an average week and published that. If it was ever documented, I think people would be shocked to find out.
You're not always going to hit the bull's-eye. I'm going to make movies that work and I'm going to make movies that don't work, and that's just a part of being creative. Because really, I think if you're taking risks and you're pushing yourself and you're doing things that scare you, you are going to fall on your face, and it's not always going to work.
I believe that things are always going to work out, even if in the beginning it doesn't look like they are working out. I know in the long run they are going to work out, and it's going to be fine.
The business of fiction is the study of the human condition, and gender is something that many humans are obsessed with, thus making it rather difficult to ignore when studying the human condition!
When it gets going bad and it gets going to where all these things are happening around you, the thing that stands out most is your character. You have to make sure you keep your character and your wits about you, because at the end of the day, it might be bad for a little while, but if you're a good coach it all works out.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.
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