A Quote by Wilson Cruz

I like to bring a level of vulnerability and real humanity to the characters I play when appropriate, and I feel like Dr. Culber lives pretty comfortably in that vulnerable world, but he's a professional first.
With all of the characters I've played, I feel like I've tried to communicate through my eyes and face, as much or more than with words. That's something that I like to watch in films, and something that I like to bring to the characters that I play.
Life is precious. Not because it is unchangeable, like a diamond, but because it is vulnerable, like a little bird. To love life means to love its vulnerability, asking for care, attention, guidance, and support. Life and death are connected by vulnerability. The newborn child and the dying elder both remind us of the preciousness of our lives. Let's not forget the preciousness and vulnerability of life during the times we are powerful, successful, and popular.
I just want to keep finding special characters that I feel like I can bring to life and characters that are real and not superficial.
I like to play very raw characters, characters who have a degree of vulnerability and passion about what they're doing.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
It's always interesting to play characters who are vulnerable and how you display that vulnerability and what it's going to mean to people who watch it.
I have two kids, and when my oldest was first born, it was the most vulnerable feeling in the world. I remember taking him to his first doctor's appointment, and on the sheet, it said "mother," and I put my mom's name. I was like, "Oh, right, I ... I'm the mother!" You just feel so vulnerable.
I'm a guy so I equate vulnerability with fear. What makes me fearful. I feel vulnerable when I release material, my work, to the world, and I have no control over the outcome. Those are very vulnerable moments. I'm getting married on Friday.
Authenticity is also about the courage and the vulnerability to say, "Yeah, I'll try it. I feel pretty uncomfortable and I feel a little vulnerable, but I'll try it!"
I've taken all the mirrors out of my house because when I'm playing onstage, I feel like I'm still in high school. I feel like that kid that wanted to play in his first band, and then I look in a mirror, and it's like, 'Uh-oh!' It ain't pretty.
I like to play non-cardboard characters. I try and bring out the many complex layers in the personality of the characters I play.
Vulnerability is not weakness. And that myth is profoundly dangerous.... Vulnerability is the birthplace of connection and the path to the feeling of worthiness. If it doesn't feel vulnerable, the sharing is probably not constructive.
I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
I love being vulnerable. It's scary. I feel like the best stuff that I have ever written can come from real vulnerable places.
To be on time, to eat well like a professional, to sleep like a professional. To train and play like a professional. I encourage everyone to do this every day.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
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