A Quote by Wilson Mizner
Anybody who can write home for money can write for magazines.
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Now I am a writer who can command fairly good payments from magazines with large circulations, I very often refuse to write for them and still write sometimes for small magazines for nothing.
When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."
Don't write for money. Write because you love to do something. If you write for money, you won't write anything worth reading.
It used to be that you would go into a writing program and what you would learn was how to write a short story. You would pick up the magazines and you would be taught from the magazines how to write a short story. Nowadays student writers are learning to write novels because that market is gone, so the ones who are drawn to the form are doing it really for reasons of their own and that's really exciting.
I have so many books to write now. So I'll write from home. Sometimes I'm writing in the office too, in my cubicle. It looks like a mess. It doesn't look like anybody uses the spot.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
When I sat down to write 'Rules of Civility,' I didn't write it for anybody but myself. I wasn't trying to make my mark or make money. I wasn't anxious about feeding my kids or whether my father would be proud of me.
I live in L.A., and whenever I get together with anybody to write, everybody is obsessed and fearful and wants to write a hit for everyone else. They wanna write a hit for Rihanna; they wanna write a hit for Katy Perry.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
These days you can't write anybody off. If anybody is a right-wing populist, you can't write them off now because that is the rising tide of our time.
I write because it is while I'm writing that I feel most connected to why we're here. I write because silence is a heavy weight to carry. I write to remember. I write to heal. I write to let the air in. I write as a practice of listening.
I've never written for anybody else. For me, it was a challenge. I write for me. I don't write for anybody else. And what was good about it was that I was writing for somebody I knew. I knew what my mother thinks and how she feels. So it was finding that creative spirit to write about my mother.
I actually find it pretty tedious when magazines ask me to write articles based on my real life, because I've already lived it and there's nothing new to discover. So, I'm unlikely to write a memoir.
We all want to make money and have a good life. But if your passion is writing, and you want to write a novel, I don't think you should sit in your home and wait for someone to give you the opportunity. You write it.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I write for anybody struggling to manage their money.
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