A Quote by Wilson Pickett

All disco singers are non-professionals who can't do live shows. It loses what black people have created. — © Wilson Pickett
All disco singers are non-professionals who can't do live shows. It loses what black people have created.
'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.
There are a lot of singers who cannot sing to save their lives. We have to accept it, but thank God there is such a thing as live shows. It's only when people are faced with live shows that the world gets to know how good or how bad they are.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
There are no Soul singer Wilson Pickett singers in disco.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
He who loses wealth loses much; he who loses a friend loses more; but he that loses his courage loses all.
Black people created rock music, it's a fact. Black people created bluegrass and rock and roll way before Elvis Presley and The Beatles.
The Organization of Afro-American Unity was an organization that was a secular group. It largely consisted of people that we would later call several years later Black Powerites, Black nationalists, progressives coming out of the Black freedom struggle, the northern students' movement, people - students, young people, professionals, workers, who were dedicated to Black activism and militancy, but outside of the context of Islam.
We always felt it helped during live shows to have multiple lead singers to give our voices a break.
People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.
American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.
I suggest that Black feminist thought consists of specialised knowledge created by African-American women which clarifies a standpoint of and for Black women. In other words, Black feminist thought encompasses theoretical interpretations of Black women's reality by those who live it.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted towards the niche market, which is, like, a black movie is created, and it's produced and pitched so that only black people will watch it.
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