A Quote by Wim Crouwel
Neutrality has its own aesthetics.
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Neutrality for the sake of neutrality doesn't really serve us in the age of Trump.
I describe it ( the new aesthetics) 'radically': I say aesthetics = human being. That is a radical formula. I set the idea of aesthetics directly in the context of human existence, and then I have the whole problem in the hand, them I have not a special problem, I have a "holography" (reacting on a former suggestion of the public as a slight joke, fh) I don't know exactly what a holography is.. (1973
That expression "positive neutrality" is a contradiction in terms. There can be no more positive neutrality than there can be a vegetarian tiger.
It's time for the aesthetics of upwardly mobile feminist respectability to make room for the aesthetics of survival, particularly trans survival.
Domination has its own aesthetics, and democratic domination has its democratic aesthetics.
Aesthetics does not exist for the camera as an isolated entity. Aesthetics, in fact, is inseparable from the purpose of the photographer and the use he makes of his theme. When photography fails... it is usually because a false separation has been imposed on form and content.
While repealing net neutrality rules grabs headlines... net neutrality started as a consumer issue but soon became a stepping stone to impose vastly more common carrier regulation on broadband companies.
The (U.K.) government's thesis that the countryside of upland and coastal Britain is 'worth sacrificing to save the planet' is an insult to science, economics and politics. But the greatest insult is to aesthetics. The trouble is that aesthetics has no way of answering back.
I don't think people experiment enough with clothing because society tries to tell them what they can and can't wear. I love playing around with different aesthetics and/or mixing around aesthetics to create a totally new look.
A ban on paid priority is central to any real net neutrality proposal, beginning with the Snowe-Dorgan Bill of 2006. Indeed, the notion of 'payment for priority' is what started the net neutrality fight.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. Let us immediately add its second: nothing is ugly but degenerate man - the domain of aesthetic judgment is therewith defined.
The problem is neutrality ends in poverty, neutrality ends in choices that hurt people's lives. This administration is deliberately telling organizations that are there to help young girls make good choices, not to tell them what the good choice is. That is absolutely unconscionable.
Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.
Aesthetics - rather than reason - shapes our thought processes. First comes aesthetics, then logic. 'Thinking in Numbers' is not about an attempt to impress the reader but to include the reader, draw the reader in, by explaining my experiences - the beauty I feel in a prime number, for example.
What is the use of aesthetics if they can neither teach how to produce beauty nor how to appreciate it in good taste? It exists because it behooves rational human beings to provide reasons for their actions and assessments. Even if aesthetics are not the mathematics of beauty, they are the proof of the calculation.
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