A Quote by Win Butler

Usually, I think you have most of your musical influences locked down by the time you're 16. — © Win Butler
Usually, I think you have most of your musical influences locked down by the time you're 16.
At 16 I was living in the Congo, and, you know, it's your teenage time. I really wanted to find a way to express myself, so I started to write songs in the Congo, and I think that's why my music is quite open, with a lot of different influences.
Today the influences of your society pressure you to be successful before your time. They are pulling you down. They have pulled you down, you big, sweet, magnificent, young, potential artists. They have pulled you down so far that you are on the verge of destruction. Only you don't know it because you want to be a success
I think that the joy of writing a novel is the self-exploratio n that emerges and also that wonderful feeling of playing God with the characters. When I sit down at my writing desk, time seems to vanish. ... I think the most important thing for a writer is to be locked in a study.
Gospel influences your soul. If you've had church in your background... it's just a part of your musical DNA.
Many MIDI files contain entire musical compositions. Because MIDI supports only 16 channels, however, no more than 16 different instruments can play at any time, and one of those is the key-based percussion instrument.
'Supafunkrock' is a musical gumbo. We throw all those musical influences into the pot and put it out there.
The entire economy, of course, is locked in a down cycle right now. Last time we weathered this was during another Bush presidency in '90. We were locked in it for a year and a half and everyone came out of it.
I think about all these influences and musical cultures, then the opinion of the audience is of course important, but when I'm working on an album or a new project, I'm not all the time thinking about what the audience will think about it.
Most people's personalities and roles are locked by the time they're nine or 10. I think there's something to that.
I think I was affected quite a bit by musical and creative influences that go all the way back to my childhood.
I think when you're a writer most of what you read influences you. The rhythms get into your head.
I don't think you change from the time you're 16 until you die. Maybe your body changes, and you have different experiences, but I think you become a fully conscious soul with full abilities. Souls are eternal, and if you keep your marbles until you croak in your 90s or your 100s, you're the same.
People are awake about 16 hours a day, so to devote 30 minutes to keeping your weight down, keeping your body healthy, is not a lot of time.
Probably my two biggest musical influences were the Everly Brothers and the Beatles, in chronological order. Both of them have had a very simple-sounding musical style that's actually quite complex as far as popular songs are concerned.
'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
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