A Quote by Winona Ryder
I was not the first choice for Veronica in Heathers. I auditioned and they were like, "Oh, thanks." And I went to the Beverly Center to Macy's and had them do a makeover on me. I went back because I kind of knew that they thought I wasn't pretty enough. They were trying to get Jennifer Connelly.
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The first comedians I became fascinated with were the Marx brothers. I couldn't get enough of them. Later in life, I thought, "Well, maybe it's because they were so rebellious and they were just flipping the bird to society and all the rules we're supposed to follow." They were saying that none of it is fair.
Even in the ambulance ride I was trying to say something, trying to say, like, 'I knew who did it, I knew what went on.' And then I think they were kind of thrown back by that. They were like, 'What? You know what went on? You know what happened?' And I was like, 'Yeah, I saw the guy.'
I had no idea what I was signing up for. I auditioned for some random character. I knew the sides were fake, but what they were trying to capture was an emotional toughness and a woundedness. I knew I liked the character. I didn't know who the character was, but I liked the spirit of the character.
I was kind of a MySpace kid in high school, and people thought since I had so many MySpace friends that they didn't need to be nice to me in real life. They were like, 'You get enough attention online,' or they were jealous or something. I don't really know.
I’d had three great pregnancies. I thought morning sickness was the end of the world, and it’s not until something pretty major happens that you’re like, oh my gosh those were all a piece of cake. I had a pretty large bleed. I thought I was having a miscarriage.
(Human) beings, in Pagan times would kind of like, listen to the stories and, they could kind of, identify - . They were, like, bigger than them and more successful than them or more beautiful, but they had these human fallibilities. Which is like celebrities now. It's like, 'oh, she's in rehab. Oh, she's unfaithful. Oh, they're divorced. Oh, she's anorexic. Oh, he's had a nose job.' You know, whatever it might be.
The Ramones were American, and I knew about them, and I thought they were interesting. But they were like a pop band to me.
I auditioned for 'The Lord of the Rings,' I auditioned for the part of Sam, and I didn't get very far... they wanted people that were taller and alter them in Computer Generated Images, so I never got a call back.
When I was 11 years old, I was bullied. It mainly started when I moved to California to pursue my dreams of being an actress. Kids back home in Texas, who I thought were my friends, were saying things behind my back. They said that I would never make it because I wasn't talented or pretty enough to be on TV.
I think back to some of the pots we made when we first started our pottery, and they were pretty awful pots. We thought at the time they were good; they were the best we could make, but our thinking was so elemental that the pots had that quality also, and so they don't have a richness about them which I look for in my work today. Whether I achieve it all the time, that's another question, because I don't think a person can produce at top level 100 percent of the time.
I always kind of divided the gay guys I met up into two groups when I first started coming out. There were the guys who thought there was something fundamentally wrong with them and hated themselves and were so burdened with shame and internalized homophobia. It just really paralyzed and shredded them. And then there were guys like me who thought, "I'm fine, everybody else is crazy. My church is sick and the family's crazy, but me? I'm fine."
Most of the artists were trying to make a living, trying to get laid, trying to figure out who they were. They weren't trying to change the world. That's what other people put on them. I knew all those people. I knew them all, intimately and well. Bob Dylan. I would say that Bob Dylan is as interested in money as any person I've known in my life. That's just the truth.
During intermission she peeked out at the theater, watching it refill. When it was almost full and the lights blinked on and off, she saw three people file in through the center door and her breath caught. Time lapsed as they walked down the center aisle: three teenage girls all in a row. They were so big, so bright, so beautiful, so magnificent to Carmen’s eyes that she thought she was imagining them. They were like goddesses, like Titans. She was so proud of them! They were benevolent and they were righteous. Now, these were friends.
I saw that everything, all paths I had been following, all steps I had taken, were leading back to a single point - namely, to the mid-point. It became increasingly plain to me that the mandala is the center. It is the exponent of all paths. It is the path to the center, to individuation. I knew that in finding the mandala as an expression of the self I had attained what was for me the ultimate.
I wanna get back To the old days When the phone would ring And I knew it was you I wanna talk back And get yelled at Fight for nothing Like we used to Oh kiss me Like you mean it Like you miss me Cuz I know you do I wanna get back, get back I wanna get back, get back I wanna get back, get back Get Back
I knew a lot of people who were beaten by the Depression, but there was still a feeling of positiveness among people: everyone thought it's got to get better. We were all trying to get the country back on its feet. There was a feeling that you could do anything, and this was certainly very true in the theater.
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