A Quote by Winona Ryder

There's like this great thing that Bette Davis said when someone asked her, "How do you get into Hollywood?" "Take Fountain!" — © Winona Ryder
There's like this great thing that Bette Davis said when someone asked her, "How do you get into Hollywood?" "Take Fountain!"
I loved working with Bette Davis. Bette Davis was great to work with and a wonderful teacher, and very kind to me. We became good friends.
I was very much raised by my grandmother, who actually was Bette Davis - looked like her, acted like her, talked like her. Probably, it was just out of my love and affection for my grandmother that I was interested in Bette.
When I first watched Bette Davis in 'All About Eve', I was struck by how much I felt that she is Margo Channing and that she's Bette Davis, where she was able to do both, where you're like, 'What an icon.'
My favourite actors are all dead or dying. I just love Jimmy Stewart, Bette Davis, Katharine Hepburn - I was named after her - and Cary Grant. I just love old black and white movies and the stars in them. It must have been a great time to be in Hollywood.
Bette Davis, she was so brilliant and one of my heroes, but she worked a ton, and then she didn't get All About Eve [1950] until the last minute. Claudette Colbert was supposed to be Margo Channing, but then she broke her back and couldn't do it. That allowed Davis to play her age.
We called the head of CBS and said, 'We know how network television feels about musicals. Would you even consider doing 'Gypsy?'' He said, 'If I did say yes, you'd have to have a big movie star who does not do TV.' I told him that, in our fantasy world, we'd like Bette Midler. He said, 'Get Bette Midler, and you have an on-the-air commitment.'
I only wrote two fan letters in my life. One was to Bette Davis. And one was to Ron Palillo, who played Horshack on 'Welcome Back, Kotter.' And Ron did not write me back, but Bette Davis did.
Bette Davis is my hero. I'm obsessed with her. I base everything I do on her.
When asked what it takes to succeed in the acting profession, Bette Davis would answer, "The courage to be hated."
I had this great teacher, Milton Katselas, who was this loud Greek who had directed Bette Davis and Liv Ullmann, and brought Edward Albee to this country. He said, "Why do you keep trying to be a Rolex watch when you're the salt of the earth?" Except he said it much louder.
I always felt that Bette Davis was one of the great screen actresses who never really got her due - she won two Oscars, but the last was in 1938, and that was really before all the great work that she did.
Bette Davis in All About Eve was huge for me. Her acting was staggering.
A woman in the audience asked [Barack] Obama about her mother. Her mother was 101 years old and was in need of a certain kind of procedure. Her doctor didn't want to do it because of her age. However, another doctor did and told this woman there is a joy of life in this person. The woman asked President Obama how he would deal with this sort of thing, and Obama said we cannot consider the joy of life in this situation. He said I would advise her to take a pain killer. That is the essence of the President of the United States.
She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.
One of my favorite movies is Bette Davis in 'All About Eve,' and it is shocking there was no pressure on her to be likable.
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