A Quote by Winona Ryder
With 'Ed Wood,' I sobbed. With 'Frankenweenie,' I was crying. With 'Edward Scissorhands,' I always cry. There's always an incredible amount of purity, even if they look a certain way.
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I suppose I've always done my share of crying, especially when there's no other way to contain my feelings. I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. Oh yes, I cry.
'Edward Scissorhands' was tough to let go of because I found real safety in allowing myself to be that open, that honest. To explore purity. It was a hard one to walk away from.
I think a lot of 'Edward Scissorhands' was about the suburban world that Burton grew up in feeling like an outcast. I feel like there's no way it's not at least a little autobiographical from that standpoint. I always liked that.
I always reference 'Mad Max' when I think about what I want to wear. But it's a fine line between that and 'Edward Scissorhands'.
I was a million percent in love with Edward Scissorhands. I remember looking in the mirror on the last day of shooting... and thinking how sad I was to be saying goodbye to Edward.
It is always tedious when someone tells you that if you don't stop crying, they will give you something to cry about, because if you are crying then you already have something to cry about, and so there is no reason for them to give you anything additional to cry about, thank you very much.
There's so much judgment geared toward young girls. People just expect so much from girls. Even physically and aesthetically, people expect us to always look right, to have a certain etiquette - to talk a certain way and act a certain way - and to know certain things. It's all different expectations, but there are always expectations.
Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human.
Over the last 10 years, there have been so many incredible albums created in bedrooms by people who never would've gotten an album deal. People keep thinking of professional music studios like they've always been this way for hundreds of years, but they're very much a child of the 70s. Even the interior is very 70s. Everything's brown and it's wood - somebody told me the wood panels are all by the same company. We're always mourning things that have died. It's a bit much sometimes. These studios have no fresh air, and there's this unwritten rule that they don't have windows, either.
There is always a certain amount of 'transmission loss.' You can have a power generator and if the power is going on 100 miles away, even with very efficient cable there could be a certain amount of loss.
I'm very sensitive in real life. I cannot not cry if someone around me is crying. I will start to cry if someone is crying, even if it's not appropriate. I have that thing in me, a weakness or sensitivity.
When you practice Dynamic Meditation for the first time this will be difficult, because we have suppressed the body so much that a suppressed pattern of life has become natural to us. It is not natural! Look at a child: he plays with his body in quite a different way. If he is crying, he is crying intensely. The cry of a child is a beautiful thing to hear, but the cry of an adult is ugly. Even in anger a child is beautiful; he has a total intensity. But when an adult is angry he is ugly; he is not total. And any type of intensity is beautiful.
There are a lot of questions I keep asking myself about why I do comedy. I guess I laugh to keep from crying. And I guess if you ever get me crying, I might not stop. This is the way I look at tragedy or else I'll cry.
Ed Reed is a legend. Ed Reed will always be the standard that, as players, we look up to and strive to be like.
My dad taught me how to get into clubs and what to look for in clubs, and he always stressed to me that a 3-wood, 4-wood or 5-wood was the toughest club to dial in and if you find a good one to keep it.
I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.
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