A Quote by Winston Churchill
I do not resent criticism, even when for the sake of emphasis; it parts for the time with reality.
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Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
Criticism at the wrong time, even if it's legitimate criticism, can be seriously damaging and make the writer lose faith in what he's doing. It's the timing that's all-important.
Even the most meticulous historians work subjectively. The historian's point of view, his or her selection of subject and sources, the emphasis, the tone - all of these lead to subjective history, inevitably so. I do not say this as a criticism, merely as an observation.
It is much the best way... to lay the emphasis on the first part of the bar in triple time, and on the first and third parts of the bar in common time.
Time limits are fictional. Losing all sense of time is actually the way to reality. We use clocks and calendars for convenience sake, not because that kind of time is real.
We resent all criticism which denies us anything that lies in our line of advance.
As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
The raw materials of reality without the glue of time are materials adrift and reality is as meaningless as the balsa parts of a model airplane scattered to the wind.
A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.
Even on a large ensemble where their parts are relatively small - because having ten main characters obviously affects their screen time - the thing that attracts great actors is when there is that challenge to get some reality into something.
In other parts of the country people tried to stay together for the sake of the children. In New York they tried to work things out for the sake of the apartment.
Now, having had this experience, I can't say really what they were looking for. I don't know their minds. But every time I see a reality show, it seems that the most entertaining parts on other reality shows are when they make their guests look foolish.
Our everyday, traditional ideas of reality are delusions which we spend substantial parts of our daily lives shoring up, even at the considerable risk of trying to force facts to fit our definition of reality instead of vice versa.
When I said that the court should be willing to suffer even intemperate criticism, I did not mean that people should level intemperate criticism. What I said is even if criticism is intemperate or unfair and bordering on scurrilous and abusive, it will be understood for what it is by the people.
We have reversed the usual classical notion that the independent "elementary parts" of the world are the fundamental reality, and that the various systems are merely particular contingent forms and arrangements of these parts. Rather, we say that inseparable quantum interconnectedness of the whole universe is the fundamental reality, and that relatively independent behaving parts are merely particular and contingent forms within this whole.
Though Israel may often be deserving of criticism, what is missing is the comparable criticism of equal or greater violations by other countries and other groups. This constant, often legitimate criticism of Israel for every one of its deviations, when coupled with the absence of legitimate criticism of others, creates the impression currently prevalent on university campuses and in the press that Israel is among the worst human rights violators in the world....it is not true, but if it is repeated often enough, it takes on a reality of its own.
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