A Quote by Winston Churchill

We have a lot of anxieties, and one cancels out another very often. — © Winston Churchill
We have a lot of anxieties, and one cancels out another very often.
Everyone assumes that novelists are smarter and more interesting. They're generally smarter and more interesting, but they're often very short. So it kind of cancels all the smart and interesting stuff out.
I feel often that we don't have the right language to talk about emotions in disasters. Everyone is on edge, of course, but it also pulls people away from a lot of trivial anxieties and past and future concerns and gratuitous preoccupations that we have, and refocuses us in a very intense way.
The worldly relations of men and women often form an equation that cancels out without warning when some insignificant factor has been added to either side.
A lot of my fears and anxieties are the fears and anxieties of a six-year-old boy. When I finally confront them, they're really small.
Realism's anxieties are not my anxieties, but I think I've had its tools close at hand all along. It may be that I'm reaching for them more often than I used to. On the other hand, I'm making no promises for the future. The material itself always gets the last word.
The very act of accepting responsibility short-circuits and cancels out any negative emotions you may be experiencing.
I think a lot of my anxieties and fears are things that are very abstract.
All my problems and anxieties certainly come out of my work, and that's the way it should be. Other than that, relationships with people I find very, very simple.
Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties.
I'm pretty busy in my life and I'm very aware of what it takes to direct a movie. It takes a lot out of you; it takes a lot out of the rest of your life, from other people in your life. I don't lie around hungering for that consumption very often.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
A lot of stand-up comedy guys, when they get a little famous, just give up their stand-up career, and it cancels out the thing that set them apart.
Oftentimes what you see cancels out what you perceive.
All I say cancels out, I’ll have said nothing.
We are opinionated society. We're very happy to spout forth our own views; we're not good about listening. We have to listen to other's stories. Learn to listen to the stories of the terrorists just as we hope that they will listen to ours because very often these narratives express frustrations, fears, and anxieties that most societies can safely ignore.
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
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