A Quote by Winston Churchill
It helps to write down half a dozen things which are worrying me. Two of them, say, disappear; about two of them nothing can be done, so it's no use worrying; and two perhaps can be settled.
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I invented animals and birds - I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
When two texts, or two assertions, perhaps two ideas, are in contradiction, be ready to reconcile them rather than cancel one by the other; regard them as two different facets, or two successive stages, of the same reality, a reality convincingly human just because it is too complex.
The older I get, the more I see there are these crevices in life where things fall in and you just can't reach them to pull them back out. So you can sit next to them and weep or you can get up and move forward. You have to stop worrying about who's not here and start worrying about who is.
I think my first general rule is that most of my experiences are not that interesting. It's usually other people's experiences. It's not that entirely conscious. Somebody tells me a story or, you know, repeats an anecdote that somebody else told them and I just feel like I have to write it down so I don't forget - that means for me, something made it fiction-worthy. Interesting things never happen to me, so maybe two or three times when they do, I have to use them, so I write them down.
After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.
Sustainability is one of my biggest passions. I have two little girls, twins, and I lie awake at night worrying about what the world will look like for them.
I write for myself, and perhaps for half a dozen friends. And that should be enough. And that might improve the quality of my writing. But if I were writing for thousands of people, then I would write what might please them. And as I know nothing about them, and maybe I'd have a rather low opinion of them, I don't think that would do any good to my work.
There are two things for which animals are to be envied: they know nothing of future evils, or of what people say about them.
In 'Me Before You,' the two characters popped into my head fully formed, which is really strange and unusual. Other books, I sit on them for two or three months. I have a whole routine: I buy a nice book; I hand-write all their characteristics. I put them through little tests just to see how they would react to things.
When you write songs for your best friends and maybe two other people to hear, and then realize that a million other people are going to hear them, it can be a bit worrying. You get concerned about what you might reveal.
A colleague once described political theorists as people who were obsessed with two dozen books; after half a century of grappling with Mill's essay On Liberty, or Hobbes's Leviathan, I have sometimes thought two dozen might be a little on the high side.
Bush the younger has two things going for him that his father never had. One: an easy charm with regular people and two: the power to make them disappear without a trial.
'White Rabbit' was mostly done in about two days, the music in about half an hour. The music is a 'Bolero' rip-off and the lyrics a rearrangement of 'Alice in Wonderland.' You take two spectacular hits and throw them together, and it's hard to miss.
This is my sixth series, and I'm burned out wondering if a show is going to change my life. Don't get me wrong, I love when people recognize my work. But I've given up worrying about whether it'll be seen by two people or two million or 22 million.
I saw one of the absolute truths of this world: each person is worrying about himself; no one is worrying about you. He or she is worrying about whether you like him, not whether he likes you. He is worrying about whether he looks prepossessing, not whether you are dressed correctly. He is worrying about whether he appears poised, not whether you are. He is worrying about whether you think well of him, not whether he thinks well of you. The way to be yourself ... is to forget yourself.
The only thing to worry about is the damage that can be done by worrying. Why are some scientists worried? Perhaps because they feel that to stop worrying may mean to stop being paid.
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