A Quote by Winston Churchill
I was shown a picture by Cézanne of a blank wall of a house, which he had made instinct with the most delicate lights and colours.
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Most artists, or at least most of the ones I know, deny having a philosophical outlook that they try to translate into their works. Some had thought of the work of Cezanne and others as being a 'painted epistemology.' But Cezanne himself denied this and Daniel-Henri Kahnwiler, the art critic and art dealer, insisted that none of the many painters he had known had a philosophical culture.
When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn't be a brick wall. So I'd sidle over to the door and I'd pull it open.
Re: Robert Montgomery's Poems His writing bears the same relation to poetry which a Turkey carpet bears to a picture. There are colours in the Turkey carpet out of which a picture might be made. There are words in Mr. Montgomery's writing which, when disposed in certain orders and combinations,have made, and will make again, good poetry. But, as they now stand, they seem to be put together on principle in such a manner as to give no image of anything in the heavens above, or in the earth beneath, or in the waters under the earth.
Aerial perspective has nothing to do with line, but concerns tones and colours, by the delicate manipulation of which an artist can suggest infinite distance.
Cezanne had an enormous influence on everyone in that period; there was a change in attitudes to art. People found him disturbing because they didn't like their existing ideas being challenged and overturned. Cezanne was probably the key figure in my lifetime.
I want every family in America to have a carpet on the floor and a picture on the wall. After bread, you've got to have a picture on the wall.
Blank House was exactly a nice empty sheet where nothing was accountable because you were so naughty that you were in Blank House.
There are several other sources of enjoyment in a long voyage, which are of a more reasonable nature. The map of the world ceases to be a blank; it becomes a picture full of the most varied and animated figures.
Martin Scorsese was one of the few who had not been an assistant. Most of the guys had been an assistant and worked their way up. But I had seen an underground picture he had made in New York, a black-and-white film. I had done a picture for American International, about a Southern woman bandit, the Ma Barker story, and it was very successful, and I had left to start my own company, and they wanted me to make another one.
I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.
In New York, lights are on the whole night; there are offices where not a single person is working, but all lights are on. The street lights at the White House are lit all the day. Why? And we are being told not to use coal.
A gentleman's first characteristic is that fineness of structure in the body which renders it capable of the most delicate sensation; and of structure in the mind which renders it capable of the most delicate sympathies; one may say simply "fineness of nature.
In life, unfortunately, I've had multiple experiences where people that I thought I could depend on have switched up, or I've caught them in lies, and their true colours have shown.
One of the first things electric I ever saw was a guitar. I was living in a house with no electricity until, at 7, we moved to a house that had it. It had electric lights, but the previous owners had even taken the light bulbs with them when they moved.
I'd walked away from 'Come Dancing' and gave 'Blankety Blank' the elbow when I felt the public had had enough. But I didn't follow my instinct to escape from 'Wogan,' and was persuaded to continue for another two years. I kind of regret that.
It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours. Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
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