A Quote by Winston Churchill
A heightened sense of the observation of nature is one of the chief delights that have come to me through trying to paint.
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To the scientist, nature is always and merely a 'phenomenon,' not in the sense of being defective in reality, but in the sense of being a spectacle presented to his intelligent observation; whereas the events of history are never mere phenomena, never mere spectacles for contemplation, but things which the historian looks, not at, but through, to discern the thought within them.
You can't just stick with one thing. You have to let your natural style come through, and paint what you naturally like to paint.
Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing; it is the defining of observation full and felt.
You folks like TV, you watch a lot of TV? There's a show right here on CBS, it's a huge hit. It's called the "Mentalist." And it's about this guy who has a heightened sense of observation. It's miraculous; he's the only guy in the world who can tell the difference between Sarah Palin and Tina Fey.
To communicate is our chief business; society and friendship our chief delights; and reading, not to acquire knowledge, not to earn a living, but to extend our intercourse beyond our own time and province.
We have three approaches at our disposal: the observation of nature, reflection, and experimentation. Observation serves to assemble the data, reflection to synthesise them and experimentation to test the results of the synthesis. The observation of nature must be assiduous, just as reflection must be profound, and experimentation accurate. These three approaches are rarely found together, which explains why creative geniuses are so rare.
My thing is about following the accidental, more than trying to paint an accurate bowl of apples. I enjoy most following the paint. It leads me somewhere else. I think I enjoy just letting the magic unfold and letting the spirit of the paint tell me where we're going.
The philosophical question before us is, when we make an observation of our track in the past, does the result of our observation become real in the same sense that the final state would be defined if an outside observer were to make the observation?
Admiration is one of the chief delights of living.
I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.
The scientist does not study nature because it is useful; he studies it because he delights in it, and he delights in it because it is beautiful.
My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me - and remembered feelings of them, which of course become transformed. I could certainly never mirror nature. I would more like to paint what it leaves with me.
Songwriting has always been a means to an end for me. That end being a tool to try to understand myself in the world and, through observation, make sense of the world.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
There is something else that is trying to come through - that lure of becoming - and it does come from the realm of spirit, it does come from the quantum universe, it does come from the great spark that is the threshold of time and history trying to emerge and electrify us.
Look what you've already come through! Don't deny it. You've already come through some things, which are very painful. If you've been alive until you're 35, you have gone through some pain. It cost you something. And you've come through it. So at least look at that. And have a sense to look at yourself and say, "Well, wait a minute. I'm stronger than I thought I was."
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