A Quote by Winston Churchill
The reserve of modern assertions is sometimes pushed to extremes, in which the fear of being contradicted leads the writer to strip himself of almost all sense and meaning.
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It is fear which leads us to war, ... It is fear which leads us to believe that we must kill or be killed. Fear which leads us to attack those who have not attacked us. Fear which leads us to ring our nation in the very heavens with weapons of mass destruction.
In my opinion the hectic and almost frantic pace of modern living is a clear sign of the fear we have of being and of life. And as long as this fear exists in a person's unconscious, he will run faster and do more so as not to feel his fear.
Unhappily the habit of being offensive 'without meaning it' leads usually to a way of making amends which the injured person cannot but regard as a being amiable without meaning it.
The obscurity, incredibility and obscenity, so conspicuous in many parts of it, would justly condemn the works of a modern writer. It contains a mixture of inconsistency and contradiction; to call which the word of God, is the highest pitch of extravagance: it is to attribute to the deity that which any person of common sense would blush to confess himself the author of.
The competition between human beings destroys with cold and diabolic brutality... Under the pressure of this competitive fury we have not only forgotten what is useful to humanity as a whole, but even that which is good and advantageous to the individual. [...] One asks, which is more damaging to modern humanity: the thirst for money or consuming haste... in either case, fear plays a very important role: the fear of being overtaken by one's competitors, the fear of becoming poor, the fear of making wrong decisions or the fear of not being up to snuff...
I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.
No kid is seeking anything when he joins a gang; he's always fleeing something. He's not being pulled; he's being pushed by the circumstances in which he finds himself.
We could present spatially an atomic fact which contradicted the laws of physics, but not one which contradicted the laws of geometry.
Americans are in a cycle of fear which leads to people not wanting to spend and not wanting to make investments, and that leads to more fear. We'll break out of it. It takes time.
...in spite of the deep-seated craving for love, almost everything else is considered to be more important than love: success, prestige, money, power-almost all our energy is used for the learning of how to achieve these aims, and almost none to learn the art of loving. Could it be that only those things are considered worthy of being learned with which one can earn money or prestige, and that love, which "only" profits the soul, but is profitless in the modern sense, is a luxury we have no right to spend energy on?
The writer's no different. When he's rejected, that paper is rejected, in a sense, a sizeable fragment of the writer is rejected as well. It's a piece of himself that's being turned down.
Alienation as we find it in modern society is almost total… Man has created a world of man-made things as it never existed before. He has constructed a complicated social machine to administer the technical machine he built. The more powerful and gigantic the forces are which he unleashes, the more powerless he feels himself as a human being. He is owned by his creations, and has lost ownership of himself.
If I create with my heart almost all my intentions remain. If it is with the head - almost nothing. An artist must not fear to be himself, to express only himself. If he is absolutely and entirely sincere, what he says and does will be acceptable to others.
I can recall, as a young adult, running through the rain forest at the Forest Reserve, at times feeling a sense of fear when I felt I was in danger. In danger of confronting an ugly snake or a coral snake, which represented the greatest fear of someone in a rural area when you traverse the forest.
Out of the multitude of our sense experiences we take, mentally and arbitrarily, certain repeatedly occurring complexes of sense impression (partly in conjunction with sense impressions which are interpreted as signs for sense experiences of others), and we attribute to them a meaning the meaning of the bodily object.
Clemency, which we make a virtue of, proceeds sometimes from vanity, sometimes from indolence, often from fear, and almost always from a mixture of all three.
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