A Quote by Winston Marshall
I cut off my dreadlocks, but I couldn't face throwing them away. They were so hard to grow, man. There's a lot of work goes into those things. Some people keep a diary or a photo album to remind them of their past lives - well, I've got hair. Who knows? One day, maybe my grandchildren might want to see it.
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Well everybody's got a secret, son, something that they just can't face. Some folks spend their whole lives trying to keep it, they carry it with them every step that they take Till some day they just cut it loose, cut it loose or let it drag 'em down Where no one asks any questions or looks too long in your face In the darkness on the edge of town.
I still use the pronoun she for my publicity materials, and for mainstream media stuff, for two reasons: the first is that I do a lot of work in public schools, and I want those young women and girls to see every kind of she there can be. I want them to see my biceps and my shorn hair and shirt and tie and for some of them to see me as a possibilityI want them to see me living outside of the boxes, because they might be asphyxiating in their own box and need to see there is air out here for them to breathe, that all they have to do is lift the lid a little.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
A lot of people have a lot of things going on in their life. You'll be walking past ten people in the middle of the day and not even notice, but someone might have a family member that died, or someone might be going through a hard time. Sometimes you're the only person that someone might see that lifts them up.
The challenge CEOs will face three to five years from now is the same one that they face today. That is engagement. It's hard to keep people engaged in what they are doing. As this generation grows up around social media like Twitter where things are 140 characters, how do you keep them engaged all hours every day at work? How do you keep them focused on the big goals you have?
You might see someone with dreadlocks and label them a hippie in your head, but that doesn't mean they think of themselves that way. A lot of people look at me and see I have a beard and shaggy hair, and think I'm a hippie. I'm not a hippie, and I'm not not a hippie. I don't know what the f**k I am.
In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.
Some of them [family names] have sentimental value for some reason or another, some of them just sound beautiful. Some of them are because of people that are meaningful to us in our lives. So it's hard to say which one we'll pick. Sometimes they say you have to see the child before you decide. So maybe when we see her we'll make a last-second decision.
I always think about taking 10 random people off the street and trying to pair them. Probably a lot of them are not going to work out, but randomly one might. That's basically what they're doing on 'The Bachelorette.' Here's 25 guys, see if you like one of them and it might work out.
You know . . . a lot of kids at school hate their parents. Some of them got hit. And some of them got caught in the middle of wrong lives. Some of them were trophies for their parents to show the neighbors like ribbons or gold stars. And some of them just wanted to drink in peace.
I always tell people, "There's a book on everyone." I get some of that book before I do anything. If I want to deeply understand someone's reputation, I'll talk to their friends, their former bosses, their peers, and I'll learn a lot about them. I want them to be trusted. I want them to be respected. I want them to give a s - -. Then there are the intangibles: physical and emotional stamina, the ability to confront issues. I can ask all I want about those things, but I also have to see a lot of it.
I made a mask out of my face because I didn't realize I was quite beautiful. God blessed me so. I practically destroyed it. I had to wear heavy black eyelashes like bat wings, and dark lines under my eyes, and cut all my hair off, my long dark hair. Cut it off and strip it silver and blonde. All those little maneuvers I did out of things that were happening in my life that upset me.
I look at my yesterdays for months past, and find them as good a lot of yesterdays as anybody might want. I sit there in the firelight and see them all. The hours that made them were good, and so were the moments that made the hours. I have had responsibilities and work, dangers and pleasure, good friends, and a world without walls to live in.
I see songs not as a commodity used up when the album goes off the charts, which is often the case with pop songs. I see them as a body of work. Life should be breathed into them.
I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.
The people with very hard problems are understood by God. He knows what wretched machines they are trying to drive. Some day he will fling them away and give those people new ones; then they may astonish everyone, for they learned their driving in a hard school. Some of the last will be first and some of the first will be last.
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