A Quote by Winston Marshall
I've seen the Stones play for three hours, and the crowd knew every song. It's what you want in a headline slot at a festival.
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You just have to have a song that you're desperate to play along to, and for me it was 'Turn' by the Scottish band Travis. I went to see them headline the Scottish T in the Park Festival, so after that festival, I went home and taught myself all of the Travis back catalog with an old guitar and a little chord book.
To fans in a festival setting it's like a picnic. You want to have a good time with your friends in that crowd. And in the background you hear the band play, 'Oh, that's my favorite song!' everyone is there to enjoy the afternoon and that's about it.
I think my favorite song is by Led Zeppelin called 'Good Times Bad Times,' a Rolling Stones song called 'You Can't Always Get What You Want,' and every song The Beatles ever wrote.
I think Ross Noble is the only person that I've seen really storm a stand-up slot at a festival, and that was when he led 3,000 people on a conga out of the tent and across the entire site to a vegetarian food truck.
I don't want an angry song with no silver lining ending up on my album. Then I'd have to play, or feel obliged to play, that song every night in repetition as a mantra of anger.
For every game we play, I might have spent 12 hours working on the video alone. In an hour, the players have to understand everything you have seen in 12 hours.
I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
I think Cannes is usually pretty fair in choosing what will play well to the home festival crowd.
I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
If I make a song, and it's my song, like 'Lean On,' we're going to make money off the synchs, the Spotify, and we get to headline festivals on it. That's the model I want to explore.
I always try to be myself, be it a festival crowd or my own crowd.
I'm just trying to unite the western crowd and the bluegrass crowd a little more. ... I get to do that again on my new album, Tall Grass and Cool Water.... This is the first time I've had every song on an album be a Bluegrass and Cowboy Song at the same time.
My job is to be able to perform for three hours or three and a half hours every Sunday and I've got to work my tail off to get to the point where I can do it, and that's what motivates me.
I don't find imitating other people's music easy at all. I remember being fifth in line for a Rolling Stones tour, early '90s, when Bill Wyman left, and I was hoping against hope that I wouldn't get the call to audition. I wouldn't be able to play a Stones song if you put a gun to my head.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
I could hear from the crowd some monkey noises, and this went on for about 25 minutes. Every time I touched the ball, I could hear the crowd. I said to myself, 'In this kind of environment, in this situation, I don't want to play football anymore.'
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