A Quote by Winston Marshall

I want to bring UCB to England. We don't have anything like it. — © Winston Marshall
I want to bring UCB to England. We don't have anything like it.
I'd taken some classes at UCB in New York and again at the Magnet Theater and the PIT Theater. I definitely never advanced to where I was on a team or anything like that.
I don't feel like I have anything to prove to the fans in England - but I know that in England they did not see the best of me.
Jerusalem (1804) And did those feet in ancient time Walk upon England's mountains green And was the holy lamb of God On England's pleasant pastures seen And did the countenance divine Shine forth upon our clouded hills And was Jerusalem builded here Among those dark Satanic mills Bring me my bow of burning gold Bring me my arrows of desire Bring me my spears o'clouds unfold Bring me my chariot of fire I will not cease from mental fight Nor shall my sword sleep in my hand 'Til we have built Jerusalem In England's green and pleasant land
You didn't want to bring home anything but an A or a B. To my mom, a C was like an F.
I like that, in the mornings, I can wake up, take my dog, and go grab coffee and a bagel, then bring back a box to my wife. I like that. I don't want anything else or need anything. I have a great wife and a great life.
I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.
I love UCB Chelsea. There is, to me, no stage like it.
We like to keep the show small. Honestly, where we moved the show to the UCB theater, we moved it to a smaller space. Even though the show has technically gotten more popular. And that is, only because we like intimacy and the ability to experiment more. We don't want to be like, "We can get 250 people in a week. So let's do that. But we have to be careful about who we book..."
You bring your strength to the game - that's what I've learnt, and that's what I try to bring to England.
I don't want to do anything like Can't Hardly Wait, I don't want to do anything like Scream. I saw all those movies, and they were good, but they're just not what I want to do.
With my quality, I feel I can bring a lot to a team that I will join. I want to show it in the big leagues: England, Italy, Spain, Germany, and France.
In New England, especially, [faith] is like sex. It's very personal. You don't bring it out and talk about it.
I would love to stay in England, but I don't want to rule anything out.
You can't always do that which you can do in your sleep. That doesn't fulfill an artist. You're looking for places where you can grow, in some way, whether it's a large way or a small way. I want to grow as an artist, as a person and as a woman. I want to enjoy myself and my life and the company that I'm keeping. I want to bring something to the table that's different than anything else would bring, but that has its place and value, and then keep moving.
The Police, they were the guys that were like the gateway to the mainstream. In England, there was a very strong reggae movement that was going on. Anything that was happening in reggae happened out of England. They were brilliant. They could spot a sound that was cool, the 'it' sound.
My agents were like "Come to L.A., we've got meetings for you." I was like "No, I'm doing this now." Then my father became very ill back in England, and I didn't want to be away. I went back to England and did a bunch of crazy indie movies, all of which I loved with a passion, and none of which did any business.
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