A Quote by Winston Marshall

I'm a modern-day renaissance man. — © Winston Marshall
I'm a modern-day renaissance man.
People can pick and choose what they want out of it, but I feel like I'm a modern day Renaissance man of anything you could want me to do... except be six inches taller.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
I admire most of all The Renaissance Man, and if it can be said without pretentiousness, I like to think of myself as one, at least in some small measure. Not a Michelangelo, mark you, but perhaps a poor man's Cellini or a road company Cosimo de' Medici ... the Renaissance Man did a number of things, many of them well, a few beautifully. He was no damned specialist.
The term 'renaissance man' is always bandied about. I don't think that applies to me. You think about Leonardo da Vinci, and he was a painter and a physicist and an architect, and that is a true renaissance man.
Moses tried to separate his people from Pharaoh, and when he tried, the magicians tried to fool the people into staying with the Pharaoh, and we look upon these other organizations that are trying to get Negroes to integrate with this doomed white man as nothing but modern-day magicians, and The Honorable Elijah Muhammad is a modern-day Moses trying to separate us from the modern-day Pharaoh.
I have been interested in the 12th century since my 20s when it was very fashionable to say of anybody with whom you disagreed, which was basically anybody over the age of 30, "One of the great minds of the 12th century", and one day I thought, "I don't know anything about the 12 century." So I started buying books, reading about it, and I discovered it was a period of great flowering, it was a Renaissance before what we think is the Renaissance, the Italian Renaissance of the 16th century.
Not much was really invented during the Renaissance, if you don't count modern civilization.
New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
Now there is in a way a renaissance of modern dance - suddenly, it is more respected and discovered.
The great Christian art did not die because all possible forms had been used up; it died because faith was being transformed into piety. Now, the same conquest of the outside world that brought in our modern individualism, so different from that of the Renaissance, is by way of relativizing the individual. It is plain to see that man's faculty of transformation, which began by a remaking of the natural world, has ended by calling man himself into question.
It [the scientific revolution] outshines everything since the rise of Christianity and reduces the Renaissance and Reformation to the rank of mere episodes, mere internal displacements, within the system of medieval Christendom. . . . It looms so large as the real origin of the modern world and of the modern mentality that our customary periodization of European history has become an anachronism and an encumbrance.
It is a Modern day, and these times need Modern solutions to Modern problems.
It's a different world: when I'm writing 'Toast,' I've got one foot in 1974 and one foot in the modern day, because the modern day is nowhere near as funny or interesting.
I've always had a massive fascination with the modern day cowboys. Modern day outlaws or going against the system, and that's always been very intriguing to me.
Technologically, modern man does everything he can do-he functions on this single boundary principle. Modern man, seeing himself as autonomous, with no personal-infinite God who has spoken, has no adequate universal to supply an adequate second boundary condition; and man being fallen is not only finite, but sinful. Thus man's pragmatically made choices have no reference point beyond human egotism. It is dog eat dog, man eat man, man eat nature.
Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
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