A Quote by Wislawa Szymborska

Poetic talent doesn't operate in a vacuum. There is a spirit of Polish poetry. — © Wislawa Szymborska
Poetic talent doesn't operate in a vacuum. There is a spirit of Polish poetry.
Poetic experience is distinct in nature from mystical experience. Because poetry emanates from the free creativity of the spirit,it is from the very start oriented toward expression, and terminates in a word proffered, it wants to speak; whereas mystical because it emanates from the deepest longing of the spirit bent on knowing, tends of itself toward silence and internal fruition. Poetic experience is busy with the created world and the enigmatic and innumerable relations of existents with one another, not with the Principle of Being.
I've written some poetry, but...songs have to be more poetic, and I've really gotten to this non-poetic sort of writing.
Perhaps the chief cause which has retarded the progress of poetry in America, is the want of that exclusive cultivation, which so noble a branch of literature would seem to require. Few here think of relying upon the exertion of poetic talent for a livelihood, and of making literature the profession of life. The bar or the pulpit claims the greater part of the scholar's existence, and poetry is made its pastime.
What we know for sure is that metaphor is the raw uranium of poetry, and that an urge to say that one thing is like something else is one of the earliest markers of the poetic spirit, the nascent poet.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic.
Poetry; a criticism of life under the conditions fixed for such a criticism by the laws of poetic truth and poetic beauty.
The poetry of this one is called philosophical, of that one philological, of a third rhetorical, and so on. Which is then the poetic poetry?
I've got mixed feelings about poetry cause done well poetry is fantastic. But not many people are capable of doing it well. I think you should have some kind of license to perform poetry. A poetic license perhaps.
The ambiguity of poetic language answers to the ambiguity of human life as a whole, and therein lies its unique value. All interpretations of poetic language only interpret what the poetry has already interpreted.
Poetry is a form of necessary speech... I have sought to restore the aura of sacred practice that accompanies true poetic creation, to honor both the rational and the irrational elements of poetry.
Poetry is difficult, I mean interesting poetry, not confessional babble or emotive propaganda. Reading a new poet is discovering an entire world, what Stevens called a 'mundo' and it takes a lot of time to orientate oneself in such a world. What we have to learn to do then, as teachers and militants of a poetic insurgency, is to encourage people to learn to love the difficulty of poetry. I simply do not understand much of the poetry that I love.
An improviser does not operate from a formless vacuum, but from three billion years of organic evolution
Poetry, my dear friends, is a sacred incarnation of a smile. Poetry is a sigh that dries the tears. Poetry is a spirit who dwells in the soul, whose nourishment is the heart, whose wine is affection. Poetry that comes not in this form is a false messiah.
I don't agree with you in saying that in all human minds there is poetry. Man as he came from the hand of his Maker was poetic in both mind and body, but the gross heathenism of civilization has generally destroyed nature, and poetry, and all that is spiritual.
I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.
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