A Quote by Wislawa Szymborska
Unfortunately, poetry is not born in noise, in crowds, or on a bus. There have to be four walls and the certainty that the telephone will not ring. That's what writing is all about.
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I began to write poetry when I was about four years old. In other words, I've always been writing poetry.
We are born into a vast room whose walls consist of a thousand doors of possibility. Each door is flung open to the world outside, and the room is filled with light and noise. We close some of the doors deliberately, sometimes with fear, sometimes with calm certainty. Others seem to close by themselves, some so quietly that we do not even notice.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
I loathe the trivialization of poetry that happens in creative writing classes. Teachers set exercises to stimulate subject matter: Write a poem about an imaginary landscape with real people in it. Write about a place your parents lived in before you were born. We have enough terrible poetry around without encouraging more of it.
All the ballparks and the big crowds have a certain mystique. You feel attached, permanently wedded to the sounds that ring out, to the fans chanting your name, even when there are only four or five thousand in the stands on a Wednesday afternoon.
We can say with certainty - or 90% probability - that the new industries that are about to be born will have nothing to do with information.
The devil has made it his business to monopolize on three elements: noise, hurry, crowds. He will not allow quietness.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
Our Adversary majors in three things: noise, hurry and crowds. If he can keep us engaged in "muchness" and "manyness," he will rest satisfied.
Maybe we should have gone with him," he said, a few minutes after his friend was lost to sight. "Three of us would make four times the noise he will," Halt said. Horace frowned, not quite understanding the equation. "Wouldn't three of us make three times the noise?" Halt shook his head. "Will and Tug will make hardly any noise. Neither will Abelard and I. But as for you and that moving earthquake you call a horse..." He gestured at Kicker and left the rest unsaid.
Pound described poetry as original research in language, and just as formal experiment in poetry has to try things and has to go too far, so does experiment with writing about politics in poetry and what the politics of poetry is.
The walls are covered -crammed- with writing. No. Not writing. They are covered with a single four-letter word that has been inscribed over and over, on every available surface. Love.
I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing.
You take that walk from the dressing room to the ring and that's when the real man comes out. Then you climb up those four stairs and into the ring. Then finally, you can't wait for the bell to ring.
I'm finding that writing poetry is strengthening my songwriting, because you're learning to make a piece of writing work on a page with nothing else. I was also finding within poetry I felt a lot more free to write about very different matters, to write about social issues or things that are going on around me.
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