A Quote by Witold Gombrowicz

Any artist who respects himself ought to be, and in every sense of the term, an emigre. — © Witold Gombrowicz
Any artist who respects himself ought to be, and in every sense of the term, an emigre.
Every moment I spend in Philly, it's amazing. The city respects us, respects sports, respects hard work.
Every artist's strictly illimitable country is himself. An artist who plays that country false has committed suicide; and even a good lawyer cannot kill the dead. But a human being who's true to himself - whoever himself may be - is immortal; and all the atomic bombs of all the antiartists in spacetime will never civilize immortality.
To the corruptions of Christianity I am indeed opposed; but not to the genuine precepts of Jesus himself. I am a Christian, in the only sense he wished any one to be; sincerely attached to his doctrines, in preference to all others; ascribing to himself every human excellence; & believing he never claimed any other.
Once in his life, a man ought to concentrate his mind upon the remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of noon and all the colors of the dawn and dusk.
Mirth is God's medicine. Everybody ought to bathe in it. Grim care, moroseness, anxiety,--all this rust of life, ought to be scoured off by the oil of mirth. It is better than emery. Every man ought to rub himself with it. A man without mirth is like a wagon without springs, in which one is caused disagreeably to jolt by every pebble over which it runs.
Any artist always has misgivings about calling himself an artist.
An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
The first thing that any good artist has to develop is a sense of independence from the artworld. What really destroys a young artist is insecurity, the fear that everything could be taken away at any moment.
Every boy in a free country ought to be instructed in boxing, wrestling, and the use of weapons. Every young man ought to be drilled. Every householder ought, at least, to have a right to own a rifle, and should know how to make cartridges.
America's making a long-term commitment to help the people of Lebanon because we believe every person deserves to live in a free, open society that respects the rights of all.
Every artist, true artist, struggles with an overwhelming sense of feeling like you're not worthy.
Is not life exactly what it ought to be, in a certain sense? Isn't it only the naive who find all of this baffling? If you've a notion of what man's heart is, wouldn't you say that maybe the whole effort of man on earth to build a civilization is simply man's frantic and frightened attempt to hide himself from himself?
A good artist ought never to allow impatience to overcome his sense of the main end of art - perfection
Living in the now is freedom from all problems connected with time. You ought to remember that sentence, you ought to memorize it, and ought to take it out, you ought to practice it, you ought to apply it. And most of all, you ought to rejoice in it because you have just heard how not to be wretched, miserable you any more but to be a brand new, and forever brand new man or woman.
Americans ... do not naturally apply the term "bourgeois" to themselves, or to anyone else for that matter. They do like to call themselves middle class, but that does not carry with it any determinate spiritual content. ... The term "middle class" does not have any of the many opposites that bourgeois has, such as aristocrat, saint, hero, or artist - all good.
Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience--but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.
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