A Quote by Witold Gombrowicz
Great poetry must be admired, because it is great and because it is poetry, and so we admire it.
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Learn to admire rightly; the great pleasure of life is that. Note what the great men admired; they admired great things; narrow spirits admire basely, and worship meanly.
Poetry is interesting because not everyone is going to become a great poet, but anyone can be, and anyone can enjoy poetry, and it's this openness, this accessibility of poetry that makes it the language of people.
Women do not have as great a need for poetry because their own essence is poetry.
Because science flourishes, must poesy decline? The complaint serves but to betray the weakness of the class who urge it. True, in an age like the present,-considerably more scientific than poetical,-science substitutes for the smaller poetry of fiction, the great poetry of truth.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
Poetry is concerned with using with abusing, with losing
with wanting, with denying with avoiding with adoring
with replacing the noun. It is doing that always
doing that, doing that and doing nothing but that.
Poetry is doing nothing but using losing refusing and
pleasing and betraying and caressing nouns. That is
what poetry does, that is what poetry has to do no
matter what kind of poetry it is. And there are a
great many kinds of poetry.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
There have always been great defenses of poetry, and I've tried to write mine, and I think all of my work and criticism is a defense of poetry to try and keep something alive in poetry.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
People think of poetry as a school subject... Poetry is very frustrating to students because they don't have a taste for ambiguity, for one thing. That gives them a poetry hangover.
Now, I do say, "It's possible. You might be the first. I'm not saying it's impossible, but the odds are very much against you." All great poets have been great readers and the way to learn your craft in poetry is by reading other poetry and by letting it guide you.
There's a great freedom of forms and intonations in Luigi Fontanella's poetry. He doesn't take a strong formal stand; his poetry entertains moments of nearly proselike colloquial narrative along with moments of powerful lyrical tension. There is a movement of extremes, from powerful tonality to near atonality, and I like this a great deal; it's a stance that very effectively catches the spirit that makes work in poetry possible nowadays.
My erotic poetry is not poetry that uses vernacular words. It is a very erotic poetry, but I never use anything, for example, that is not in the dictionary. I don't like to be ugly, I seek out what is beautiful, and if my great search is for freedom and beauty, I can't be vulgar, ordinary.
I would be happier if people who went through MFA programs also were already, by then, deeply committed readers of poetry because we need readers of poetry as much as writers of poetry.
What has praise and fame to do with poetry? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise, and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself- a voice answering a voice.
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