A Quote by Wiz Khalifa

I keeps it real nothing. Like you actors do — © Wiz Khalifa
I keeps it real nothing. Like you actors do
Actors are the most important. Performance is what matters. Nothing matters more than the actors; they have to perform. No one else can give life to the characters. Audiences must believe the characters as real and the moments as real.
The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role. I love Peter Sellers, Alec Guinness and Gary Oldman. They tend to be British, I guess. People who really disappear and transform, I really like that.
There is a reality to the way the actors play the scenes, given that there is a real, animatronic, moving robot in the room. So the level of nuance and realism in performance was higher because we built the real ones, and it keeps the visual effects guys honest.
Mike Tomlin, man, is one of the realest coaches out there. He keeps everything real; he keeps it 100. He doesn't lie to you. He doesn't sugarcoat anything. And that's what I like about him.
Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
There's actors and actresses who I call 'Trailer Stars' because their importance is expressed by how big their trailers are. And then there are real actors, who are real good people.
There's nothing romantic, nothing grand, nothing heroic, nothing brave, nothing like that about drinking. It's a real coward's death.
There is nothing like this extended family that is Fleetwood Mac. And I think you have to say, for all the perceived and real dysfunction that there has been, underneath that, there is and always has been a great deal of love. And that keeps pulling us back together.
Nothing like poetry when you lie awake at night. It keeps the old brain limber. It washes away the mud and sand that keeps on blocking up the bends. Like waves to make the pebbles dance on my old floors. And turn them into rubies and jacinths; or at any rate, good imitations.
That's not a real answer.' Says who?' Says me. I mean real fear, like of failure, of death, of regret. Like that. Something that keeps you awake nights, questioning your very existence.' Clowns.
Actors generally get to do things you probably shouldn't do in real life - well, at least as much as one might like to or be tempted to. Though I suppose a lot of actors just go ahead and do it, don't they?
There's nothing I hate more than nothing. Nothing keeps me up at night. I toss and turn over nothing. Nothing could cause a great big fight.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
Attention is a bit like real estate, in that they're not making any more of it. Unlike real estate, though, it keeps going up in value.
Living in New York, for me at least, just keeps it very real and keeps my feet firmly planted on the ground.
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