A Quote by Wladyslaw Stanislaw Reymont

Being twenty years old, I naturally had a wild imagination and a tender heart. — © Wladyslaw Stanislaw Reymont
Being twenty years old, I naturally had a wild imagination and a tender heart.
My music is how I feel, and that's changed from being twenty years old to being forty-three years old.
My imagination completely controls me, and forever feeds the fire that burns with dark red light in my heart by bringing me the best dreams. I've always had a wild imagination, a big heart and a tortured soul so I feel that dark fantasy, love and horror are in my blood.
There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
Being wild can be wearing a silly hat. Being wild can be dancing weird. Being wild can be shooting people. What do I think being wild is? Nothing. Actually, the whole world is wild. Everything is wild.
She would always feel this wild girl was the truest of any of the people she had already been: adored daughter, bourgeois priss, rebel, runaway, dope-fiend San Francisco hippie; or all the people she would later be: mother, nurse, religious fanatic, prematurely old woman. Vivienne was a human onion, and when I came home at twenty eight years old on the day the monster died, I was afraid that the Baptist freak she had peeled down to was her true, acrid, tear-inducing core.
I had a wild imagination as a kid - wild! - and I was outside all the time, swinging around in trees by myself.
When I was twenty years old, I had gum grafts put in.
Another side to me is this very sexual being. When I look back on my life, it's always been there. It's been there since I was 10 years old, having the imagination that I had.
I've always had that naturally curvy body since I was 11 years old.
Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.
The decision to write full time was made when I was twenty-eight years old and had just had two small plays accepted for BBC Radio.
Twenty years after we had left so fierce and proud, we were all right back where we had started, yoked to each other and the same old drama.
When I was fourteen years old, I was amazed at how unintelligent my father was. By the time I turned twenty-one, I was astounded how much he had learned in the last seven years.
I had this client I'll call Samuel. Not his real name. I saw him steadily for twenty years, usually twice a month. Over twenty years you really get to know someone.
Inside him, twenty years dissolved and mixed into one complex, swirling whole. Everything that had accumulated over the years-- all he had seen, all the words he has spoken, all the values he had held-- all of it coalesced into one solid, thick pillar in his heart, the core of which was spinning like a potter's wheel. Wordlessly, Tengo observed the scene, as if watching the destruction and rebirth of a planet.
Naturally, I was thrilled but being the first year, the Academy Awards had no background or tradition, and it naturally didn’t mean what it does now. Had I known then what it would come to mean in the next few years, I’m sure I’d have been overwhelmed. At the time, I think I was more thrilled over meeting Douglas Fairbanks.
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