A Quote by Wladyslaw Stanislaw Reymont
An irresistible fascination with terrifying death killed me ahead of time.
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The study of maps and the perusal of travel books aroused in me a secret fascination that was at times almost irresistible.
Someone's killed 100,000 people. We're almost going, "Well done! You killed 100,000 people? You must get up very early in the morning! I can't even get down the gym. Your diary must look odd: 'Get up in the morning, death, death, death, death, death, death, death - lunch - death, death, death - afternoon tea - death, death, death - quick shower ...' "
Death is terrifying, but it would be even more terrifying to find out that you are going to live forever and never die.
Sometimes the serpent is represented as a circle eating its own tail. That’s an image of life. Life sheds one generation after another, to be born again. The serpent represents immortal energy and consciousness engaged in the field of time, constantly throwing off death and being born again. There is something tremendously terrifying about life when you look at it that way. And so the serpent carries in itself the sense of both the fascination and the terror of life.
When people of color are killed in the inner city, when homeless people are killed, when the "nobodies" are killed, district attorneys do not seek to avenge their deaths. Black, Hispanic, or poor families who have a loved one murdered not only don't expect the district attorney's office to pursue the death penalty -which, of course, is both costly and time consuming- but are surprised when the case is prosecuted at all.
If you look at UFC champions: BJ Penn - terrifying! GSP - terrifying! Anderson Silva - terrifying! But I'm not terrifying.
Believe me, those great death bed speeches are written ahead of time.
Death is terrifying because it is so ordinary. It happens all the time.
If you won’t marry me for the sake of your own honor, then do it for the sake of everyone who would have to tolerate me otherwise. Marry me because I need someone who will help me to laugh at myself. Because someone has to teach me how to whistle. Marry me, Lillian… because I have the most irresistible fascination for your ears.
That is why embittered people find heroes and madmen a perennial source of fascination, for they have no fear of life or death. Both heroes and madmen are indifferent to danger and will forge ahead regardless of what other people say.
As I read Mann in German for the first time, the full achievement - both literary and philosophical - of Death in Venice struck me forcefully, so that, when I was invited to give the Schoff Lectures at Columbia, the opportunity to reflect on the contrasts between novella and opera seemed irresistible.
I thought that we all were afraid of death, but I've talked to my wife and other people, and they're not afraid of death the way I am. I find that really confusing. I don't like the idea of nothingness - that's terrifying to me.
As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relationships with this best and truest friend of mankind that death's image is not only no longer terrifying to me, but is indeed very soothing and consoling, and I thank my God for graciously granting me the opportunity...of learning that death is the key which unlocks the door to our true happiness.
I find a fascination, like the fascination for the moth of a star, in those who hold aloof and disdain me.
The wise man seeks death all his life, and for this reason death is not terrifying to him.
Soft things are terrifying. They're the real signals of death. Images of strength can never be that terrifying. It's the images of weakness that are a real apocalypse.
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