A Quote by Wole Soyinka
I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.
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My work is more driven by the creative word. It's immersed in other writing and printed work, rather than drawn so much from life or past experience.
The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.
I just really enjoy the process of working with other talented, creative people. There's great power in bringing diverse points of view together. It can be incredibly stimulating.
It's a marathon, not a sprint. I actually feel like I come to work stronger when I've had a little time on the weekend to step away from it and enjoy my family and other things. I come back energized. If people think they're going to work 24/7, week in and week out, they're not bringing their full strength to the table.
Directing is something I always wanted to do. I started when I was 13 directing scenes in high school and then plays in college with my theatre company.
Most of the people dishing out judgment have no working experience of the theatre, have not written a professional play, a sketch, or even a joke; have never worked in a theatre, taken an acting class, or published any extended piece of work. They are creative virgins; everything they know about theatre is book-learned and second-hand.
Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.
I love directing. It's something I started doing in theatre when I was in university in Chicago and I started a theatre company right out of college and was directing for many years.
Now if you look at the London 'Times,' you'll find that with quite a number of the photographs, you touch them, and they turn into videos. I think newspapers come alive that way. We talk about 'papers.' We should cut out the word 'paper,' you know? It's 'news organizations.'
Plays were really my last option. The reason I didn't write plays initially was because I thought theatre was the worst of all the art forms.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
I worked at a bunch of other salons, and at one, this girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.
There are no rhymes or reason, actually. Having said that, you know, cause there are people who are absolutely single-minded about their process and they can still come up with great work. But (what) I enjoy and it's the same, I suppose, as I became more of a family man, I enjoy, I enjoy an atmosphere where it, you know, doesn't have to be about conflict to get good results.
I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.
What I love about directing is finding common ground in complementary palate with wardrobe, set design, the camera department, the makeup department, et cetera. I love figuring out that synergy. To have everything work in concert is amazing, I love working with that kind of logic. Directing is a cavalcade of taste decisions - this one or that one, but I raather enjoy it and am in the process of setting up the next endeavor.
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