A Quote by Wole Soyinka
I think most writers would like a quiet space, complete isolation, in which they control their own time. Spaces of creativity in which there's very little interruption.
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Let me just say you could end this violence within a very short period of time, have a complete ceasefire - which Iran could control, which Russia could control, which Syria could control, and which we and our coalition friends could control - if one man would merely make it known to the world that he doesn't have to be part of the long-term future; he'll help manage Syria out of this mess and then go off into the sunset, as most people do after a period of public life. If he were to do that, then you could stop the violence and quickly move to management.
I think I'm like most people - we fear the unknown and the things that have yet to come to pass, which are the very things that don't deserve to be feared. When you give God complete control, it's very hard not to be fearless.
Absolute space, in its own nature, without regard to anything external, remains always similar and immovable. Relative space is some movable dimension or measure of the absolute spaces, which our senses determine by its position to bodies, and which is vulgarly taken for immovable space.
Despite my vast interest in other universes and new ideas and space, travel and time travel, which by the way I think is impossible, the basic thing is human character, which is the main thing of most writers.
Reason is like an open secret that can become known to anyone at any time; it is the quiet space into which everyone can enter through his own thought
Reason is like an open secret that can become known to anyone at any time; it is the quiet space into which everyone can enter through his own thought.
In the most complete friendship there is always a little empty space, like the space in an egg.
It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much.
Patriarchy appears to be everywhere. Even outer space and the future have been colonized. As a rule, even the more imaginative science-fiction writers (allegedly the most foretelling futurists) cannot/will not create a space and time in which women get far beyond the role of space stewardess.
We are always in the space in-between... all the spaces where you are not actually at home. You haven't arrived yet.... This is where our mind is the most open. We are alert, we are sensitive, and destiny can happen. We do not have any barriers and we are vulnerable. Vulnerability is important. It means we are completely alive and this is an extremely important space. This is for me the space from which my work generates.
I think the most honest responses to the movies you get to watch are in houses and people's most private spaces, like the bedroom or in your own intimate space. I think that's where you feel safest, so when you're threatened in the place you feel safest, it makes for the scariest situations.
The life of a creator is not the only life nor perhaps the most interesting which a man leads. There is a time for play and a time for work, a time for creation and a time for lying fallow. And there is a time, glorious too in its own way, when one scarcely exists, when one is a complete void. I mean-when boredom seems the very stuff of life.
Most shareholders have little if any control over the companies in which they own stock, even if they own a million shares.
I think it modern society as a whole, but definitively in Brazil, spaces are so well divided and there are so many barriers, and so many divisions, so many lines and so many borderlines, basically telling you that you should be here but not here. This is my space and this is your space, and this is expressed very dramatically in architecture, we have a very kind of aggressive, almost medieval concept for architecture, which is basically keeping people out. So you get high walls, fences, and electric fences, and divisions like that.
The central trait of sociopathy is a complete lack of conscience, which is very difficult for most people to get their heads around, because those of us who do have a conscience can't really imagine what it would be like if we didn't. Most people think that deep down everybody has a conscience, and it turns out that's just not true.
Space is all one space and thought is all one thought, but my mind divides its spaces into spaces into spaces and thoughts into thoughts into thoughts. Like a large condominium. Occasionally I think about the one Space and the one Thought, but usually I don't. Usually I think about my condominium.
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