A Quote by Wole Soyinka

I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
The key thing is knowing how to adapt. Adapting to the group that you have at your disposal; adapting to the place where you're working; adapting to the local environment. This is crucial: adaptability.
I think it was John who really urged me to play sitar on 'Norwegian Wood,' which was the first time we used it. Now, Paul has just asked me recently whether I'd written any more of those 'Indian type of tunes.' He suddenly likes them now. But at the time, he wouldn't play on them.
Against Novak, it's really tough for me to play, I mean, because he doesn't give me any time. I don't really like to play against him because he has a game style which doesn't fit me at all.
I think it's for the critics to decide whether or not their loathing of the play is based on something other than the play's merits or demerits. They must search their own souls, or whatever.
I never studied acting, yet the first time I auditioned and did a cold reading, I surprised everyone for my honesty and limpidity. They told me I could play any role because I have no walls, I don’t put anything between me and the character I have to play.
I think acting is really fully adapting - to your surroundings, to your emotions, to the people that you're working with, to being tired, to want to go home, to being lonely, to being happy. It's adapting for me, and trusting. Adapting and trusting, that's my format right there.
I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.
I don't know, I feel like any role that I play is a little piece of me, whether it's their perspective, maybe how they dress, what they think is funny, their loyalty to their friends. It all stems from Kiersey.
I mean we all played as kids. You play games, you take on different characters, you imitate; the fun and the love of play has never left me.
I think it's important for me to play in different position so if the boss wants me to play on the left or behind the striker I can play where the boss tells me to play.
I don't even think whether I play the blues or not, I just play whatever feels right at the moment. I also will use any gadget or device that I find that helps me achieve the sort of sound on the guitar that I want to get.
I don't play for myself. I play for my teammates and play for the people that helped me get to where I am. I know they're watching me every week, and I want to play for them. It's just in my heart, and that's who I am.
I think it just kind of comes naturally to me. I feel like I've been coached that way my whole life - to play dirty and to play mean.
Advertising is the most potent influence in adapting and changing the habits and modes of life affecting what we eat, what we wear, and the work and play of a whole nation.
I studiously avoid any academic dissections of the play and any kind of previous experience of playing. For me, it's all in the play.
This site uses cookies to ensure you get the best experience. More info...
Got it!