A Quote by Wole Soyinka

Seven is the magic figure, because that's a symbolic figure of my favorite deity, Ogun. — © Wole Soyinka
Seven is the magic figure, because that's a symbolic figure of my favorite deity, Ogun.
I think my favorite scenes [in Night Music] are the ones that kind of happen when the handsome Englishman shows up.. He doesn't quite figure out she is from the 1920s because he doesn't really figure out she is a ghost, because she has manifested into physical form.
We only have this one planet; we got to figure out how to live on it without destroying it. So much of cultures not getting along is because of religion. If each religion's deity is the right one to them, then whose is right and whose is wrong? No one has the proof, so we need to figure out how to work through it
It is quite likely ... that the central figure of the gospels is not based on any historical individual. Put simply, not only is the theological "Christ of faith" a synthetic construct of theologians, a symbolic "Uncle Sam" figure, but if you could travel ... back to First-Century Nazareth, you would not find a Jesus living there.
A slick way to outfigure a person is to get him figuring you figure he's figuring you're figuring he'll figure you aren't really figuring what you want him to figure you figure.
Because rage and violence are human emotions and drives and capacities that inhabit us all. SEE CARL JUNG. Or that hipster Joseph Campbell. Because we all take archetypal journeys in a million ways - literal, symbolic, you name it - that figure, disfigure, and refigure violence.
Hockey is my favorite because I'm from Michigan. I used to figure-skate and root for the Red Wings.
I grew up figure skating, and in figure skating there is only a handful of black people at the time figure skating with me.
To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.
Twenty games is the magic figure for pitchers - .300 is the magic figures for batters. It pays off in salary and reputation. And those are the two things that keep a ballplayer in business.
My ego is nothing - look what Alexander the Great achieved. And I felt he was a figure outside time, a figure we don't even understand, because he's frankly pre-Christian, and his concepts of honor go back to Homer.
I am an American man, and in America, we still think of figure skaters as little girls in pretty, sparkly dresses - I worked very hard to change the perception and image of figure skating, and I think I've done a great job on my end, but in figure skating, taste needs to evolve.
When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing. Now I like to really spend the time and figure it out, and rehearsal is to try something that doesn't work.
I still make paintings and use the figure; it's hard to do and hard to succeed. On some levels, because I am working with black figures and black pigment, it's even harder because I have to be more responsible for the image. I try to be really careful about the presence the figure projects.
There's a lot of people who can't figure out how to enjoy magic while simultaneously knowing that it's fake. Magic is like breast implants. We know they're fake, but when done well they can give you a feeling of true wonder.
The point is... you'd better figure out what your Customers - the Customers you want - value. Because that's what they'll buy. Anything else is a waste of their money, and they'll figure that out in a hurry.
Crows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
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