A Quote by Wole Soyinka

The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice. — © Wole Soyinka
The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice.
The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice. The proof of that is the ability of a dictator to snuff out the life of a writer.
Even as rigorous a determinist as Karl Marx, who at times described the social behaviour of the bourgeoisie in terms which suggested a problem in social physics, could subject it at other times to a withering scorn which only the presupposition of moral responsibility could justify.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
A science fiction story is just an attempt to solve a problem that exists in the world, sometimes a moral problem, sometimes a physical or social or theological problem.
Writers throughout the ages have one weapon, which is literature, but they also have their responsibilities as a citizen when literature does not seem to suffice. I mean, they are not mutually exclusive. One continues to write anyway but if you are called out to demonstrate, if people are being killed in the streets, it's hardly the moment to go for your pen and paper, you know, help in one way or the other.
I would challenge more hip hop artists that are rapping about what it`s like to be real and the social ills that we face, if you aren`t backing Bernie Sanders, I have to question your credibility in terms of do you mean the songs you`re writing.
I hope to be remembered for writing books about social justice that also have enough aesthetic value to endure as works of literature.
Over-population is the 'cause of drive-by shootings' and other social ills, but the root of the problem is Christianity, which posits that people are more important than sea otters and elephants.
Just because I publish pornography does not mean that I am not concerned about the social ills that all of us are
I guess my choice of medium depends on how I want to interpret the idea. Sometimes the interpretation works best in a photograph, and then sometimes it works best in a drawing. But most often times, with the work, everything starts with the diorama with the photograph. Then I'm just filtering out ideas and images from the photograph and reinterpreting them in other mediums.
For Social Security to be financially sound, the federal government should have $100 trillion - a sum of money six-and-a-half times the size of our entire economy - in the bank and earning interest right now. But it doesn't. And while many believe that Social Security represents our greatest entitlement problem, Medicare is six times larger in terms of unfunded obligations.
Sometimes in writing you have difficult periods and then other times it just flows.
We speak about understanding each other, having those conversations nationwide - culturally, historically - and yet there's a lot of gaps. So I want to assist with closing the gap of knowing about and hearing about our Latino communities in terms of literature, in terms of writing.
If we are trying to account for mobilization, we have to ask, under what conditions do outraged forms of knowing lead to social mobilizations and movements? So awareness alone does not suffice, and neither does outrage.
Art was always my main focus; I fell into writing by accident in the 1980s, writing magazine articles to pay for my studio. I have to put myself into the position of writing; sometimes it doesn't work, and sometimes it works great.
Directing a movie precludes me from being involved in any greater way. But, the job was never to do more, it was always to enable. Sometimes as a producer, you're creating and writing it, or sometimes you're writing and directing it, or other times you're there from the very beginning.
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