A Quote by Wolf Blitzer

Two hours on television just doesn't automatically happen. I'm up early, I'm reading newspapers online, talking to my staff, coming up with ideas. — © Wolf Blitzer
Two hours on television just doesn't automatically happen. I'm up early, I'm reading newspapers online, talking to my staff, coming up with ideas.
Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff.
I'm usually up until around 1 A.M. or 2 A.M. I don't get much sleep - and I prefer it that way, writing notes and coming up with different ideas for two to three hours between 11 P.M. and 1 A.M. or 2 A.M.
When I was coming up in the '80s television, if you were on television that meant either you were a young actor just coming up like I was, or you were an older actor whose career was over and you had to go on television.
America is a bottom-up society, where new trends and ideas begin in cities and local communities...My colleagues and I have studied this great country by reading its newspapers. We have discovered that trends are generated from the bottom up.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I'm not one of those who spring up yelling, "Yippee! Another day!" I'll grumble and sulk around a couple of hours, reading newspapers and trying to pick out an idea I might do something with on the show. But I don't really start functioning until noon or later; then about two I go to the studio and the pace begins to quicken.
I don't see coming down to London and talking to people and making TV shows as real work. The only reason I do it is because they keep coming up with decent ideas.
I have to have sound in my ears for 10 minutes prior. I come to the theater early, two hours, just to calm down and warm up.
Web searching and cellphone use both flourish in the wee hours. Before the dawn of the web, I would stay up watching television. But there is something soporific about television: I would often nod off. Not so when I'm online. As technologies expand, these problems may only worsen.
When it comes to how I portray myself online, I'm trying to be as real as I can and show people every side of what I do and not just put up selfies online of me in full done-up make up and stuff.
I always think it's better to take your time and go through a lot of ideas - and dismiss a lot of ideas - before figuring out where to land. It's a good way to care for your audience, too. If you spend hours and hours and days and weeks coming up with the ending, then there's a chance the fans won't figure it out on their own.
Wikipedia is so dangerous. You go online to look up the definition of eclampsia, and three hours later you find yourself reading this earnest explanation of tentacle porn in [Japanese] anime.
I sleep 12 hours and then work 24 hours. I've worked those irregular hours for the past three years. It's better to stay up day and night to come up with ideas. I usually get inspiration for game designing by working this schedule.
I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.
I am up at 3:30, reading the op-ed pages and getting ready to be on the air by 6 A.M. on the set of 'Morning Joe,' and after three hours of TV and two hours on the radio, it is only 12 noon.
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
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