A Quote by Wolf Kahn

People mistakenly think that art is about nature, or about an artists feelings about nature. It is instead a path of enlightenment and pleasure, one of many paths, where nature and the artists feelings are merely raw material.
I think optimism springs from nature. I'm a gardener. Nature has taught me about rhythm, the essence of every art. With so much that is terrible, nature gives me pleasure.
Western artists stand as humans looking at nature; Asian artists try to be in nature. You become one with nature rather than painting a portrait of it. That's a big shift.
Our Nation, a great stage for the acting out of great thoughts, presents the classic confrontation between Locke's views of the state of nature and Rousseau's criticism of them... Nature is raw material, worthless without the mixture of human labor; yet nature is also the highest and most sacred thing. The same people who struggle to save the snail-darter bless the pill, worry about hunting deer and defend abortion. Reverence for nature, mastery of nature- whichever is convenient.
We have to take care about nature as much as nature is taking care about us. Nature is very kind with us. And if you want to enjoy the gifts of nature and the promises of nature, we have to defer to nature and its needs, its rules, its norms.
Nature is purposeless. Nature simply is. We may find nature beautiful or terrible, but those feelings are human constructions. Such utter and complete mindlessness is hard for us to accept. We feel such a strong connection to nature. But the relationship between nature and us is one-sided. There is no reciprocity. There is no mind on the other side of the wall.
Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
Can you believe that, to say that ours is the only path when the fundamental thing in art is freedom! In art, there are millions of paths—as many paths as there are artists.
I really feel that artists or musicians are controversial people. Controversy is part of the nature of art and creativity. If people are not doing that, they're not artists - they're artisans.
It's not about facts, it's about feelings. It's about remembering feelings and happiness. A definition of art is that it makes concrete our most subtle emotions. I think the highest form of art is music. It's the most abstract of all art expression.
Natural objects themselves, even when they make no claim to beauty, excite the feelings, and occupy the imagination. Nature pleases, attracts, delights, merely because it is nature. We recognize in it an Infinite Power.
Many people don't know about the power of good feelings, and so their feelings are reactions or responses to what happens to them. They have put their feelings on automatic pilot, instead of deliberately taking charge of them.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
At the very simplest, I think as Van Gogh said and St Francis would have said, we must find nature. Just to be in the presence of nature your feelings and 'little seedlings' start to awake. So if we disassociate ourselves from God we cut nature out, too. More and more we turn nature into a commodity, into eco-tourism. But we must integrate it into the way people live every day.
After decades of faithful study, ecologists have begun to fathom hidden likenesses among many interwoven systems. ...a canon of nature's laws, strategies, and principles... Nature runs on sunlight. Nature uses only the energy it needs. Nature fits form to function. Nature recycles everything. Nature rewards cooperation. Nature banks on diversity. Nature demands local expertise. Nature curbs excesses from within. Nature taps the power of limits.
I don't know why you'd want to say your work comes from nature, because art is related to perception, not nature. All abstract artists try to tell you that what they do comes from nature, and I'm always trying to tell you that what I do is completely abstract. We're both saying something we want to be true.
There are many paths to enlightenment. Some of us who have expanded to a degree of illumination have thereafter preached the dogmatic certainty of one particular path. But enlightenment doesn't care how you get there. And if you aren't going to be thinking about it in paradise, then don't worry about it now.
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