A Quote by Wolfgang Amadeus Mozart

Believe me, I do not like idleness but work. — © Wolfgang Amadeus Mozart
Believe me, I do not like idleness but work.
Now the code of life of the High Middle Ages said something entirely opposite to this: that it was precisely lack of leisure, an inability to be at leisure, that went together with idleness; that the restlessness of work-for-work's sake arose from nothing other than idleness. There is a curious connection in the fact that the restlessness of a self-destructive work-fanatacism should take its rise from the absence of a will to accomplish something.
The day, like the previous days, dragged sluggishly by in a kind of insipid idleness, devoid even of that dreamy expectancy which can make idleness so enchanting.
The regime in too many prisons is one of idleness, and locking up someone from such a background in idleness virtually guarantees re-offending. Instead there needs to be a full day's work every weekday in either the workshops or the education department or preferably a mixture of both.
Idleness, we are accustomed to say, is the root of all evil. To prevent this evil, work is recommended.... Idleness as such is by no means a root of evil; on the contrary, it is truly a divine life, if one is not bored.
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
In effort Happiness idleness life pleasure superstition support trouble work The superstition that all our hours of work are a minus quantity in the happiness of life, and all the hours of idleness are plus ones, is a most ludicrous and pernicious doctrine, and its greatest support comes from our not taking sufficient trouble, not making a real effort, to make work as near pleasure as it can be.
I'm very prescriptive about who I work with. I'm very clear about what I believe. If they believe what I believe I will work with them. If they say things like, "Convince me we should do this." I walk away.
Idleness is righteous if it is comfortable. Uncomfortable idleness is sin & sinful waste.
A few days of idleness have completely sickened me, and given me what is called the blue-devils so severely, that I feel that the sooner I go to work and drive them off, the better.
Idleness is not doing nothing. Idleness is being free to do anything.
It is idleness that is the curse of man - not labour. Idleness eats the heart out of men as of nations, and consumes them as rust does iron.
I'd like to believe that the people that have supported me in my work or identified with me in films, the people that feel they know me, they do and they don't have misconceptions - they understand. I believe that.
Idleness does drive me crazy, but I'd rather read or write than do anything just to work. A kind of respect has been instilled in me for acting: I love it too much to ever have a bad relationship with it.
At first, when an idea, a poem, or the desire to write takes hold of you, work is a pleasure, a delight, and your enthusiasm knows no bounds. But later on you work with difficulty, doggedly, desperately. For once you have committed yourself to a particular work, inspiration changes its form and becomes an obsession, like a love-affair… which haunts you night and day! Once at grips with a work, we must master it completely before we can recover our idleness.
The way to stop feeling guilty is to read stuff - I'm not saying my book, but works by Bertrand Russell or Oscar Wilde, people who weren't losers but who didn't believe in the work ethic, and argued this thing about guilt or wrote philosophy about idleness.
Slavery...dishonors labor. It introduces idleness into society, and with idleness, ignorance and pride, luxury and distress. It enervates the powers of the mind and benumbs the activity of man.
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