A Quote by Wolfgang Beltracchi
I only painted when I felt like it and needed money. But it never really became a professional thing, even though the dealers would have liked that.
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My mom always brought home a present once a week for all of us. We never felt like we ever needed anything. We never felt poor. So I never felt I had to go out and do something wrong to get money.
The wrestling, even though I would only wrestle for 15 or 20 or 30 minutes at a time, and it would look like that was the only time I was in it, was really a 24-hour job. Keeping yourself alive, reinventing yourself, staying physically in shape, the traveling, all the other commitments with being a wrestler, it was a crossover situation where it became sports entertainment and you actually became a media star, so it was very demanding.
Even though I never really had to pound the pavement as an actor, I always worked really hard. But, at the same time, I always felt like people thought that I didn't have to struggle even though I was struggling.
I always felt like Tahliah's a very grown-up name to have. It's a pretty name when you're young, and then I think when I became a young lady, it felt kind of like a lot to grow into for some reason. I don't know. It sounds kind of regal. I never really liked it. I always felt like I couldn't live up to it.
Funnily enough, when I was leaving school and they asked you what you were going to do, and I just liked acting, that's never what I would say. I would always say I would go into business, even though I didn't really know what was meant by that.
Their leaving made me melancholy, though I also felt something like relief when they disappeared into the dark trees. I hadn't needed to get anything from my pack; I'd only wanted to be alone. Alone had always felt like an actual place to me, as if it weren't a state of being, but rather a room where I could retreat to be who I really was.
Even though I was painted, even though I had on seven layers of paint - to the point that I got a tan, it was as thick as a fabric - I think I felt the most naked because I couldn't cover myself at all. I didn't have to, so I had to be much more open and relaxed.
So I went to Miami in '74 with my family and while I was there it became obvious that we needed money and we needed to do something, because my family, we left without anything really, and we didn't have any money to begin with.
My story is like many other stories. I started very young. As the years went by, I only cared about playing football. I was never obsessed with money or being a professional though.
Nobody thought that I could become a professional. I was not that good. It was really just one thing I had fun doing. But it was never realistic for me to become a professional until I became 17 or maybe 18.
I would get songs sung to me, like 'Old Man River, 'or kids would call me Mississippi and things like that. At the time, I wished I had a name that blended in more with my surroundings. Now, though, I've really learned to love it. From fifteen, I really liked it. It felt appropriate. Before that, I don't think it quite fitted me. I had to grow into it.
Even when I was at school, I wanted to be liked by everyone, even the bullies. I didn't like them, but I needed to know that they liked me.
I feel lucky, though, because even when 'Alias' was popular, I was still sent scripts against type. I've never felt like the world only sees me one way. But yes, it's been really fun to be bad.
I felt like it needed some color down there, so I painted the walls with the motherfucker.
When someone is missing the really hard thing is that you never really do give up hope, even though the inquest says that she is dead, even though right from the beginning we already knew that we wouldn't see her again.
I really wanted to make the worst thing: the thing that even people who liked bad, terrible music wouldn't like - the stuff that people would ignore, always. Something really, really stupid. Something that is destined for failure.
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