A Quote by Wolfgang Beltracchi

The trick is to paint a picture that doesn't exist, and yet that fits perfectly into an artist's body of work. — © Wolfgang Beltracchi
The trick is to paint a picture that doesn't exist, and yet that fits perfectly into an artist's body of work.
For me, the most important thing that I am meticulous about when it comes to fashion is fit. I want something that fits perfectly for my body type and fits perfectly for who I am as a person from the inside out.
I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits.
When I was asked to compose a score for... 'Palo Alto,' I first thought to myself, 'What is the house that these characters would want to live in?' I wanted to paint a picture and color scheme that I could work around. I gently apply different daubs to see what fits to match the color I have in mind with these characters.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
You are not an artist simply because you paint or sculpt or make pots that cannot be used. An artist is a poet in his or her own medium. And when an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.
There are a lot of artists who've said they'd like to work with me. To be honest, I'm not sure there is such a thing as an inappropriate artist. The trick is matching the artist with a story.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
I'm an artist. And usually when I tell people I'm an artist, they just look at me and say, 'Do you paint?' or 'What kind of medium do you work in?'
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
I started out as an artist, and what I do is verbal paintings. I paint a picture. Hopefully, you'll see the characters and what they're doing and what they're saying.
I can kind of picture what I want to do and my body just does it. You feel your way through a trick. I close my eyes sometimes.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
I've been asked often what is the difference between an amateur and a professional artist, and I will tell you. An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
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