A Quote by Wolfgang Laib
I don’t want to explain to somebody what pollen is. That is the secret and the beauty and the power and the potential of all this.
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The Navajo have that wonderful image of what they call the pollen path. The Navajo say, 'Oh, beauty before me, beauty behind me, beauty to the right of me, beauty to the left of me, beauty above me, beauty below me, I'm on the pollen path.'
Kim Kardashian is a kind of archetype. But she owns her beauty and is tremendously successful. There's no tragedy, there's no drug story. There's just her and her fame and her beauty. But Anna Nicole created that template of somebody that you'd want to watch on reality TV. Somebody that you'd want to invite into your home or as a role model, in terms of beauty and lifestyle and glamour.
Give space to life. Give time to sprout your potential - the potential to awaken the beauty in you. Awaken the beauty of your heart - the beauty of your spirit. There are infinite possibilities.
What beauty brings is huge. It brings great privilege, great power and potential to do many things. If you are beautiful, doors open for you; people smile at you; you are accepted in places where others aren't. So the relationship that people have with beauty, in a sense, is almost deforming.
Part of the beauty of love was that you didn’t need to explain it to anyone else. You could refuse to explain. With love, apparently you didn’t necessarily feel the need to explain anything at all.
I've always liked elliptical writing, whether it's Kafka or Paula Fox, and I'm often bored by writers who explain too much. I think that becomes journalism. Mostly I don't try to explain to readers who somebody is - I just write about the somebody. I'm thinking through ideas. And I have the sense that, if you're reading this, you have some interest.
I do music based upon who I like and who I think has the potential to win. I don't really judge them by "Oh somebody is hot right now". If I think the music is dope and I think the potential is there, I want to do it.
All honour and reverence to the divine beauty of form! Let us cultivate it to the utmost in men, women and children -- in our gardens and in our houses. But let us love that other beauty too, which lies in no secret of proportion but in the secret of deep human sympathy.
What a strange power the perception of beauty is! It seems to ebb and flow like some secret tide, independent alike of health and disease, of joy or sorrow. There are times in our lives when we seem to go singing on our way, and when the beauty of the world sets itself like a quiet harmony to the song we uplift.
I am not afraid of beauty, unlike most artists today. The pollen, the milk, the beeswax, they have a beauty that is incredible, that is beyond the imagination, something which you cannot believe is a reality-and it is the most real. I could not make it myself, I could not create it myself, but I can participate in it. Trying to create it yourself is only a tragedy, participating in it is a big chance.
Such power!" Adelaida cried all at once, peering greedily at the portrait over her sister's shoulder. "Where? What power?" Lizaveta Prokofyevna asked sharply. "Such beauty has power," Adelaida said hotly. "You can overturn the world with such beauty.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
Plants are decisive to a fault. A stem produces a bud that flowers once and once only. It offers pollen that is either dispersed or goes nowhere. One pollen grain either enters a stigma or it falls upon stony ground. An ovum is either fertilized or the whole project stalls out.
The secret to success can be found in people's daily agendas. If they do something intentional to grow every day, they move closer to reaching their potential. If they don't, their potential slowly slips away over the course of their lifetime.
Just as Jesus predicted, what originates in the secret place won't always remain a secret. ... How do we guard -- or maybe it would be more appropriate to say, guard against -- our hearts? How do we monitor what's going on in that secret place that has the potential to go public at any moment?
I'm not the guy who will sit in a room with somebody who's using a bunch of big words and just act like I know what they're talking about, or sit on set with somebody and they'll be trying to explain something and not using layman's terms and I'll just say, "Hey, excuse me, what do you mean by that? Explain to me so I just understand."
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