A Quote by Wolfgang Schauble

As a wheelchair user, you can't move about freely. That's the only thing that bothers me a little. When I'm in the Euro Group in Brussels, colleagues who want to talk to me have to come to me. But I hope they know that this has nothing to do with arrogance.
As a wheelchair user, you cant move about freely. Thats the only thing that bothers me a little. When Im in the Euro Group in Brussels, colleagues who want to talk to me have to come to me. But I hope they know that this has nothing to do with arrogance.
I met a new girl at a barbecue, very pretty, a blond I think. I don't know, her hair was on fire, and all she talked about was herself. You know these kind of girls: 'I'm hot. I'm on fire. Me, me, me.' You know. 'Help me, put me out.' Come on, could we talk about me just a little bit?
The only thing I know is the only things that I know. You can't ask me to talk about something I have no information on. I stay silent. It'd be foolish. So when I talk about something, it's something I at least have a little bit of familiarity with me.
It bothers me to hear people talk about things they know nothing about.
I don't want to be little again. But at the same time I do. I want to be me like I was then, and me as I am now, and me like I'll be in the future. I want to be me and nothing but me. I want to be crazy as the moon, wild as the wind and still as the earth. I want to be every single thing it's possible to be. I'm growing and I don't know how to grow. I'm living but I haven't started living yet.
I don't care about what people think about me that don't know me. But the one thing that bothers me of all the places is the general perception was that I was a failure at USC as a head coach.
"Liberating" is a gay word, so let's phrase it this way: I know everything about me and still manage to be good friends with myself, so nothing anyone says that's truthful about me ever bothers me.
There are many paths to God. What really bothers me - and what I think is the height of arrogance and stupidity - is when one group believes their way is the only way. That really gets my dander up.
There is nothing about me that I wouldn't want anyone to know, but there is a part of me that I do want to keep private and personal just because that is what's going to keep me sane in the long run - making sure people don't know my every move.
I think that I come off as, 'Nothing bothers me, I don't care! I'm funny and sassy.' But I'm deeply sensitive. Not only about myself but to others. Not to pat myself on the back, empathy is a quality I've cultivated over my life. It came naturally to me as a child.
I like to talk about very different topics. I like to jump around a lot because I don't want people to come see me and then for an hour I tell jokes about being a little person. I just don't want that to happen. I understand that it's part of me, that's the first thing that you notice and it's something that people are curious about.
I honor the sanctity of all religions - I'm not here to put them down. But the only religion that I personally embrace is the religion of kindness. There are many paths to God. What really bothers me - and what I think is the height of arrogance and stupidity - is when one group believes their way is the only way. That really gets my dander up.
When 'Center Stage' first came out, I had some little girls on an airplane who didn't want to actually talk to me but wanted to talk about me at the top of their lungs. And they took pictures of me while I was sleep. And you know what's the worst part? I get really, really airsick.
You do not want to talk to me on the phone. How do I know? Because I don't want to talk to you on the phone. Nothing personal, I just can't stand the thing. I find it intrusive and somehow presumptuous. It sounds off insolently whenever it chooses and expects me to drop whatever I'm doing and, well, engage. With others!
I work late at night. I'm awake and nobody bothers me. It's quiet and things come and talk to me in the silence.
Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
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