My staged work looks so real that people actually take it for documentary. But, in fact, that is my intention, to disguise the manufacturedness of it. Half of my work, or probably more than that, is staged.
When you realize that everything is staged, then nothing is staged.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
The music works by itself, but you can change the perception of it by the way you dress, the way you move, the things you say, the things you don't say. And when you realize that everything is staged, then nothing is staged. There's a kind of liberation to that.
I suppose the primary intention of a documentary photographer is to document facts. My work often does this but it is not the primary intention. My intention is to make the best pictorial image I can.
The beauty of MMA is that it's not staged, it's a real sport and we have a lot of Punjabis involved in it.
I know my idea of beauty isn't what most people's is, and the fact that I'm getting the opportunity to show my beauty and work with incredible photographers that actually take me out of my comfort zone and allow me to see myself through their work in a different way - it's a real honor.
There's nothing worse than a poorly staged house.
I think Direct Cinema's trying to be insightful by looking at reality in a very close way while, in fact, much more is staged than we like to think. In cinema verite, it's about trying to make something invisible visible - the role of fantasy and imagination in everyday life.
And I sense it was a rather constructed, almost half narrative fiction film in some ways. A lot of it was staged and manipulated to get those things in there that I knew to be strong.
Strange, how such a small realization can affect everyone's life forever. In movies there is always a carefully staged moment - a big crescendo of music, close- ups of the actors' faces, the camera slowly pulling away to let all this sink in for the viewer...but, in real life, most all of the extraordinary things happen with no more loudness than a whisper.
I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.
A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world
Shakespeare is a seminal story-teller. I don't think he imagined he was writing classics or that he was writing great poetry. I don't think he dreamt his work would be staged 400 years after he died.
The most intelligent people disguise the fact that they are intelligent. Wise men do not wear name tags. The more people talk about their own skills, the more desperate they are—their work should speak for itself.
I like to be real. I don't like things to be staged or fussy.