A Quote by Wolfgang Tillmans

The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures.
All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
I do films to be behind the camera, not in front of the camera. I'm sure I say very intimate things about myself in all my films, but it's better to say it not too directly, to be hidden behind a woman.
It is said that the camera cannot lie, but rarely do we allow it to do anything else, since the camera sees what you point it at: the camera sees what you want it to see.
I think about it all the time. I love filmmaking. Whether I'd be in front of the camera or behind the camera, I just love that world.
We need to have more conversations about representation as well as the imbalance in terms of needing more women behind the camera and in front of the camera, and the diversity factor.
I have a lot of appreciation for what people do in front of the camera as well as behind the camera. I don't think I could like one without the other. Eventually, I think the road will lead me down to producing or directing, because it's more about problem solving.
When I'm writing, I can always play around with tense. I can always make past present. I can always kind of manipulate, and I can always be delusional in a way that's completely self-serving. With film, it's like, the camera can't really lie. It can manipulate to a certain extent.
Whenever I see a mirror, I just look at myself, or when I see my own reflection, I quickly take a look; I won't lie about that. But when I am in front of the camera, it's just the character, not me.
I find that I don't lie about the big things in life. The things that matter. And about me. While I'm talking about myself, I rarely lie: I know who I am, my level of talent, that I'm not the most versatile filmmaker, the person I am. I don't lie about myself because I don't lie to myself.
I am very proud of my husband, both behind the camera and in front of the camera.
Being behind a camera, in front of the camera, is my own little deconstructionist niche.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
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