A Quote by Wolfgang Tillmans
For example, you now look at pictures from 1968, they are hugely misleading in terms of standing in as an absolute image of the time. Because maybe two percent of the people looked the way that we now associate with that time. I was also aware that what I was aiming for is an idealized, utopian version of how people could be together. I found photography to be a very powerful tool because as long as it looks real, it is perceived as real.
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Because a real kiss, a kiss that two real people choose to give each other - it's something that can't be filmed or photographed or drawn, or even described with words. Because a kiss isn't what it looks like or how it feels. A real kiss happens down deep inside of two hearts at the same time. It's hidden away. A real kiss is invisible.
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
Generally, if you look at present-day trends, you can predict the future. Very few people do that, because I've been told that only 3 to 5 percent of people are aware of being a part of history; the overwhelming majority think things will always be the way they are now. When Stalin was alive, most people could not imagine that he would ever die. Same under Brezhnev.
Every time I have people over, I watch how long they look at every part of the painting, or pictures on my computer. I have a few close friends and people that are constants. Whether I like their opinion or not, I've been hearing it for a long time and I can use it as this constant. I mentally pay attention to how long they look at every image, which ones they pause on and what parts of it they look at.
What happened in the 80's was that all the men died of AIDS. That was a particularly depressing time because so many people passed away and it was a very desperate and lonely time, so I think a lot of people felt that we were somehow, unreceived. Not only by the disease but also by the public image of the disease. It really gave homophobia a real shot in the arm and changed the way people viewed gays, queers. It became an entirely different atmosphere.
During my performances, I don't like folks to take pictures because I feel that we live in a very photographic time. Photography was invented over 100 years ago, and now it's at its peak because everyone has a camera. The fact that they are taking experiences and filtering them through a mechanical lens I find amazing, but also disheartening. Amazing when you have photographs that start revolutions. Disheartening when you have people making photographs but not living.
I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism - real life - the now.
I tried to write things, but they were so ridiculous and stupid and impossible and I had not a clue what they were, so that delusion went on for a long time. Maybe it's still going on, only somehow I sucked some people in. It was a long time of writing things that didn't make sense in the real world, and I'm embarrassed about them now in a jocular way.
Acting is, to me now, artificial. Seeing people suffer is real. It couldn't be more real. Some people don't like to look at it in the face because it's painful. But if nobody does, then nothing gets done.
Whales, for example, also navigate with sound, but they're now beginning to be beached because the ocean is getting too noisy. Weird things like that. I mean this is very real. Like, if you look at the satellites in the sky at night you know it's an eerie sense of we're.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
Now, ["silent majority"] hasn't been used in a long time because I guess it is associated somewhat with [Richard] Nixon. But honestly it's two words, that when you put together describe what is happening very well. There's a group of people, great people in this country that have been disenfranchised. Their country has been taken away from them.
I get judged a lot. Maybe because of the way I talk, the way I look, I'm real quick to say a lot of stuff that maybe people don't understand because that's just me.
There was a time when I looked to other people for recognition, because I didn't have enough confidence to trust my own judgment. Now I'm not looking for reassurance, because I realize how fickle people are. My own strength is the best I can have.
I have a 6-year-old daughter, and we never look through magazines. But when we're on a plane, that's the one time we have screen-time and magazine-time sometimes. And I do not open a magazine with her without saying: 'Now remind me, are these real pictures?'
I wanted to be a real writer, you can put it this way, but I was lazy. So I thought that cinema would be funnier because it's collective, and it's crazy, and it's chaotic, and also because I was based in Spain. So I said it will be easy to make a career of that - because all the other filmmakers there are very bad. And it will be funny at the same time. So this was the point. It will be funnier, easier, and maybe at the end there will be some unknown beauty, and maybe on the way we'll create the dream that a different logic is possible for life.
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